| Song 5 |
(1966-67) | Duration: 7’ | |
| Forces: solo piano Work No.: 4.05 |
Publisher: [Composer] | ||
| fp: 5.7.68 Acland Burghley School, London. Composer; choreography: Henrietta Lyons. Based on material dating from c. 1963. | |||
| Song 6 |
(1968/96) | Duration: 3’ | |
| Forces: solo piano Work No.: 4.06 |
Publisher: [Composer] | ||
| fp: 5.12.96 (revised version) Conway Hall, London. Ian Pace. Original version for fl, ob, hp, vc, is unperformed and withdrawn | |||
| Song 7 |
(1968-69) | Duration: 4’ | |
| Forces: solo piano Work No.: 4.07 |
Publisher: [Composer] | ||
| fp: 11.4.69 Royal Albert Hall, London. Paul Lowdell (ob), Composer (pf); choreography: Henrietta Lyons. fp: (final version) 1.1.69 Composer; with same choreography. Original version was for oboe and piano. | |||
| Song 8 |
-1967 | Duration: 10’ | |
| Forces: solo piano Work No.: 4.08 |
Publisher: [Composer] | ||
| fp: 9.12.80 BMIC, London. Based on material from ‘Nukterides’ (Birds of the Night c. 1963, unfinished). | |||
| Song 9 |
-1968 | Duration: 7’ | |
| Forces: solo piano Work No.: 4.09 |
Publisher: [Composer] | ||
| To Ronald Lumsden.’ fp: 17.10.68 Conway Hall, London. Ronald Lumsden | |||
| View Score | |||
| Romeo and Juliet are drowning |
(1967/73) | Duration: 4’ | |
| Forces: solo piano Work No.: 8 |
Publisher: [Oxford] | ||
| fp: Unknown. Composer. Based on love scene from Berlioz’s dramatic symphony ‘Romeo & Juliet’ Collected shorter piano pieces, vol. 2 | |||
| Autumnall [Autumnal] Title: from Donne’s poem ‘The Autumnall’ ‘For Alexander Abercrombie.’ |
(1968-71) | Duration: 5’ | |
| Forces: solo piano Work No.: 10 |
Publisher: [Oxford] | ||
| fp: 6.2.73 Wigmore Hall, London. Alexander Abercrombie. Original version was for voices and ensemble: ‘music drama in the form of a TV script’ 2nd version was an extended version of the 3rd and final version. Collected shorter piano piec | |||
| Listen: MP3 Real Audio | |||
| Strauss-Walzer 3 pieces based on Waltzes of Johann Strauss |
(1967/1989 | Duration: 10’ | |
| Forces: solo piano Work No.: 14 |
Publisher: [Oxford] | ||
| fp: (complete) 10.1.90 Purcell Room, London. Jonathan Powell. Collected shorter piano pieces, vol. 1 | |||
| Wo die Zitronen blühn Strauss-Waltzer 1. ‘For Jonathan Powell.’ |
Duration: 3’ | ||
| Forces: solo piano Work No.: 14.1 |
Publisher: [Oxford] | ||
| fp: 10.1.90 Purcell Room, London. Jonathan Powell. | |||
| "O, schöner Mai" ‘For Nic Hodges.’ |
Duration: 3’ | ||
| Forces: solo piano Work No.: 14.2 |
Publisher: [Oxford] | ||
| fp: 28.10.89 University Music School, Cambridge. Nicolas Hodges. | |||
| Geschichten aus dem Wienerwald Strauss-Walzer 3. ‘For Ben Morison.’ |
Duration: 4’ | ||
| Forces: solo piano Work No.: 14.3 |
Publisher: [Oxford] | ||
| fp: 9.12.89 St John’s College, Cambridge. Benjamin Morison. | |||
| Snowdrift Title: from William Sharp ‘The White Peacock’ |
-1972 | Duration: 10’ | |
| Forces: solo piano Work No.: 18 |
Publisher: [Edition Modern] | ||
| fp: 6.2.73 Wigmore Hall, London. Alexander Abercrombie. | |||
| Listen: MP3 Real Audio | |||
| Svatovac Title: Macedonian dance. |
(1973-74) | Duration: 2’ | |
| Forces: solo piano Work No.: 23 |
Publisher: [Oxford]. | ||
| Originally published as an arrangement in The Dancing Times. | |||
| Listen: MP3 Real Audio | |||
| Ives ‘In celebration of Ives’ 100th Birthday.’ |
-1974 | Duration: 5’ | |
| Forces: solo piano Work No.: 29 |
Publisher: [Edition Modern] | ||
| fp: 24.3.76 Royan Festival, France. Jaqueline Méfano. Part of trilogy Ives-Grainger-Nancarrow. | |||
| Jazz |
-1976 | Duration: 5’ | |
| Forces: solo piano Work No.: 38 |
Publisher: [Composer]. Formerly published by Universal. | ||
| fp: 22.6.78 Middelburg, Netherlands. Geoffrey Douglas Madge. Part of trilogy with Boogie-Woogie & Fast Dances, Slow Dances. Structurally based on Beethoven Bagatelles Op. 126. | |||
| Three Dukes went a-Riding Title: derived from several English folk songs. |
(1977/96) | Duration: 4’ | |
| Forces: solo piano Work No.: 43 |
Publisher: [Oxford] | ||
| fp: (revised version) 28.6.96 Conway Hall, London. Ian Pace. Originally 3rd of Piano Studies. | |||
| Listen: MP3 Real Audio | |||
| English Country-Tunes "8 sections, performable separately" |
(1977/1982 | Duration: 43’ | |
| Forces: solo piano Work No.: 44 |
Publisher: [UMP]. Formerly published by Universal (first version). | ||
| fp: First complete performance: 18.12.79 BMIC, London. Composer. fp: (final version) 13.2.86 BMIC, London. Composer. Original version written ‘in celebration of the Silver Jubilee of Her Majesty Queen Elizabeth II, in 1977’ Revisions in | |||
| Green Meadows English Country-Tunes 1 |
Duration: 8’ | ||
| Forces: solo piano Work No.: 44.1 |
Publisher: [UMP] | ||
| fp: 19.1.78 Leeds Polytechnic. Alexander Abercrombie. fp: (final version) 13.2.86 BMIC, London | |||
| Midsummer Morn English Country-Tunes 2 |
Duration: 7’ | ||
| Forces: solo piano Work No.: 44.2 |
Publisher: [UMP] | ||
| fp: 19.1.78 Leeds Polytechnic. Alexander Abercrombie. | |||
| I’ll give my love a garland English Country-Tunes 3 |
Duration: 8 | ||
| Forces: solo piano Work No.: 44.3 |
Publisher: [UMP] | ||
| fp: 18.12.79 BMIC, London. Composer. | |||
| May and December English Country-Tunes 4 |
Duration: 5’ | ||
| Forces: solo piano Work No.: 44.4 |
Publisher: [UMP] | ||
| fp: 18.12.79 BMIC, London. Composer. fp: (final version) 13.2.86 BMIC, London. Composer. Final version alters first section of original and introduces new central section. | |||
| Lies and Marvels English Country-Tunes 5 |
(1977/82-8 | Duration: 3’ | |
| Forces: solo piano Work No.: 44.5 |
Publisher: [UMP] | ||
| fp: 18.12.79 BMIC, London. Composer. fp: (final version) 13.2.86 BMIC, London. Composer. | |||
| The Seeds of Love English Country-Tunes 6 |
(1977/82-8 | Duration: 4’ | |
| Forces: solo piano Work No.: 44.6 |
Publisher: [UMP] | ||
| fp: 18.12.79 BMIC, London. Composer. fp: (final version) 13.2.86 BMIC, London. Composer. Final version uses material from earlier piece La-di-dah (withdrawn) and end of first version. | |||
| My Bonny Boy English Country-Tunes 7 |
Duration: 4’ | ||
| Forces: solo piano Work No.: 44.7 |
Publisher: [UMP] | ||
| fp: 18.12.79 BMIC, London. Composer. | |||
| Come Beat the Drums and Sound the Fifes English Country-Tunes 8 |
Duration: 5’ | ||
| Forces: solo piano Work No.: 44.8 |
Publisher: [UMP] | ||
| fp: 18.12.79 BMIC, London. Composer. | |||
| all.fall.down Title: from nursery rhyme ‘Ring-a-ring o’ roses’ |
-1977 | Duration: 8’ | |
| Forces: solo piano Work No.: 45 |
Publisher: [Composer]. Formerly published by Universal. | ||
| ‘To Klaus Huber; Howard Skempton; Alvin Singleton.’ fp: 10.10.77 Freiburg-im-Breisgau, Germany. Composer. all. ‘To Klaus Huber’; fall. ‘To Howard Skempton’; down. ‘To Alvin Singleton’ | |||
| To & Fro |
(1978/95) | Duration: 4’ | |
| Forces: solo piano Work No.: 47 |
Publisher: [Composer]. Formerly published by Universal. | ||
| fp: 17.2.78 Hilversum, Netherlands. Composer (studio recording)’ broadcast 7.3.78. fp: (final version) 29.2.96 Conway Hall, London. Ian Pace. Original version 6th of Piano Studies. Final version is different piece. | |||
| Piano Studies "1. Untitled, 2. Hopi, 3. Three Dukes went a-Riding, 4. Huckleberry, 5. We’ll get there s |
(1976-78) | Duration: 25’ | |
| Forces: solo piano Work No.: 49 |
Publisher: [Composer] | ||
| Withdrawn. No. 2 used in revised version of Piano Concerto No. 4; Nos. 4 and 8 in Verdi Transcriptions, a revised version of No. 7 in The Seeds of Love (English Country-Tunes). | |||
| Kemp’s Morris |
-1978 | Duration: 5’ | |
| Forces: solo piano (pianist wearing Morris-bells) Work No.: 52 |
Publisher: [Oxford] | ||
| fp: 19.11.81 Oxford University. Composer. Based on 26th melody of Playford’s ‘English Dancing Master’ (1651) sometimes called ‘The cherping of the larke’ or ‘Muscadin’ Collected shorter piano pieces, vol. 1& | |||
| Listen: MP3 Real Audio | |||
| We’ll get there someday |
-1978 | Duration: 3’ | |
| Forces: solo piano Work No.: 56 |
Publisher: [Composer]. Formerly published by Universal. | ||
| fp: 6.1.79 Amsterdam, Netherlands. Composer. Originally 5th of ‘Piano Studies’ | |||
| "Fast Dances, Slow Dances" |
(1978-79) | Duration: 18’ | |
| Forces: solo piano Work No.: 58 |
Publisher: [Composer]. Formerly published by Universal. | ||
| ‘To Elliott Carter.’ Commissioned by Junction Dance Company. fp: 23.4.79 North London Polytechnic. Composer. Part of trilogy with Jazz and Boogie Woogie. Structurally based on Beethoven Bagatelles Op 119. | |||
| Short but... |
-1979 | Duration: 3’ | |
| Forces: solo piano Work No.: 59 |
Publisher: [Oxford] | ||
| fp: 11.79 North London Polytechnic. Composer. Collected shorter piano pieces, vol. 1 | |||
| Listen: MP3 Real Audio | |||
| Piano Concerto No. 4 |
(1978-80/9 | Duration: | |
| Forces: solo piano Work No.: 62 |
Publisher: [Composer] | ||
| (first version) ‘To Brian Ferneyhough.’ (second version) ‘To Ian Pace.’ fp: 30.4.80 Logan Hall, London University. Composer. fp: (revised version) 4.10.96 Conway Hall, London. Ian Pace. Final version includes material from Lo | |||
| Listen: MP3 Real Audio | |||
| Grainger ‘For Percy Grainger’s 97th Birthday.’ |
-1979 | Duration: 4’ | |
| Forces: solo piano Work No.: 68 |
Publisher: [Composer]. Formerly published by Universal. | ||
| fp: 22.7.79 South Hill Park, Bracknell. Composer. Part of trilogy Ives-Grainger-Nancarrow. | |||
| Nancarrow |
(1979-80) | Duration: 4’ | |
| Forces: solo piano Work No.: 69 |
Publisher: [Composer]. Formerly published by Universal. | ||
| fp: 20.6.80 BMIC, London. Composer. Part of trilogy Ives-Grainger-Nancarrow. | |||
| Boogie-Woogie |
(1980/81/8 | Duration: 4’ | |
| Forces: solo piano Work No.: 71 |
Publisher: [Oxford] | ||
| ‘To Roger Wright.’ fp: 16.7.80 Arezzo, Italy. Composer. fp: (second version) 2.2.81 BMIC, London. Composer. fp: (third version) 10.4.85 BMIC, London. Composer. fp: (final version) 29.2.96 Conway Hall, London. Ian Pace. Part of trilogy wi | |||
| Freightrain Bruise |
(1972/80) | Duration: 3’ | |
| Forces: solo piano Work No.: 72 |
Publisher: [Oxford] | ||
| ‘For Charlotte Holtzermann.’ fp: 1972 The Place, London. Composer. fp: (final version) 10.5.86 Brighton Festival. Composer. Substantial revision in 1980. | |||
| Listen: MP3 Real Audio | |||
| Piano Concerto No. 6 |
(1980-81) | Duration: 15’ | |
| Forces: solo piano Work No.: 77 |
Publisher: [Composer] | ||
| fp: 22.5.81 BMIC, London. Composer. | |||
| Liz ‘Birthday Gift for Elisabeth Lutyens.’ |
(1980-81) | Duration: 1’ | |
| Forces: solo piano Work No.: 79 |
Publisher: [Oxford] | ||
| fp: 6.3.81 BMIC, London. Composer. Collected shorter piano pieces, vol. 2 | |||
| Free Setting |
(1981/95) | Duration: 8’ | |
| Forces: solo piano Work No.: 82 |
Publisher: [Composer] | ||
| ‘To Sue Davies.’ Commissioned by London Contemporary Dance Theatre. fp: 15.10.81 Warwick University. Eleanor Alberga. fp: (final version) 19.1.96 Holywell Music Room, Oxford. Nicolas Hodges. | |||
| Reels |
(1980-81/8 | Duration: 8’ | |
| Forces: solo piano Work No.: 84 |
Publisher: [UMP] | ||
| ‘To Judith Weir.’ fp: 4.10.81 Guildhall School of Music and Drama, London. Composer; choreographed and danced by Kris Donovan. fp: (final version) 30.11.81 composer. Based on traditional Scottish bagpipe-melodies (piobaireachd). | |||
| Listen: MP3 Real Audio | |||
| White Rain |
-1981 | Duration: 5’ | |
| Forces: solo piano Work No.: 85 |
Publisher: [Composer] | ||
| fp: 10.11.88 Surrey University, Guildford. Composer. Title: from print by Hiroshige. | |||
| View Score | |||
| Verdi Transcriptions "15 Transcriptions and 3 optional fragments, may be performed separately" |
(1972/92-8 | Duration: 70’ | |
| Forces: solo piano Work No.: 92 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer (1-9). fp: (public) 30.6.88 Union Chapel, Almeida Festival, London. J. Clapperton (1-9, 15); composer (10-14). fp: (complete with 1995 revisions and fragments) 26.1.96 Conway Hall, London. Ian Pa | |||
| Listen: MP3 Real Audio | |||
| Sciagurata! a questo lido ricercai l’amante infido Verdi Transcription 1 |
(1972/82-8 | Duration: | |
| Forces: solo piano Work No.: 92.01 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. fp: (final version) 26.6.87 Middelburg, Netherlands. Composer. Based on Aria - Oberto (Act 2). | |||
| Bella speranza in vero Verdi Transcription 2 |
Duration: | ||
| Forces: solo piano Work No.: 92.02 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Trio - Un Giorno di Regno (Act 1). | |||
| Il maledotto non ha fratelli Verdi Transcription 3 |
(1972/82-8 | Duration: | |
| Forces: solo piano Work No.: 92.03 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Chorus - Nabucco (Part 2). | |||
| Fra tante sciagure... Verdi Transcription 4 |
(1972/82-8 | Duration: | |
| Forces: solo piano Work No.: 92.04 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Chorus - I Lombardi (Act 3). | |||
| Vedi come il buon vegliardo Verdi Transcription 5 |
(1972/82-8 | Duration: | |
| Forces: solo piano Work No.: 92.05 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Septet with Chorus - Ernani (Part 1). | |||
| "Tace il vento, e queta l’onda" Verdi Transcription 6 |
(1972/82-8 | Duration: | |
| Forces: solo piano Work No.: 92.06 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Choral Barcarolle - I Due Foscari (Act 3). | |||
| So che per via de triboli Verdi Transcription 7 |
(1972/82-8 | Duration: | |
| Forces: solo piano Work No.: 92.07 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Aria - Giovanna d’Arco (Act 1). | |||
| Il pianto...l’angoscia...di lena mi priva Verdi Transcription 8 |
(1982-85) | Duration: | |
| Forces: solo piano Work No.: 92.08 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Aria - Alzira (Act 1). | |||
| Mantre gonfiarsi l’anima Verdi Transcription 9 |
(1982-85) | Duration: | |
| Forces: solo piano Work No.: 92.09 |
Publisher: [UMP] | ||
| fp: (private) 1.11.86 Finsbury Park, London. Composer. Based on Aria - Attila (Act 1). | |||
| Me pellegrina ed orfana Verdi Transcription 10 |
(1986-88) | Duration: | |
| Forces: solo piano Work No.: 92.1 |
Publisher: [UMP] | ||
| fp: 10.11.87 BMIC, London. Composer (with 2 & 3). Based on Romanza - La Forza del Destino (Act 1). | |||
| S’allontanarno! N’accozzeremo Verdi Transcription 11 |
(1988/95) | Duration: | |
| Forces: solo piano Work No.: 92.11 |
Publisher: [UMP] | ||
| fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with 12-14). fp: (final version) 26.1.96 Conway Hall, London. Ian Pace. Based on Chorus - Macbeth (Act 1). Material taken from Long Distance (withdrawn). | |||
| Vanitosi! Che abbietti e dormenti Verdi Transcription 12 |
-1988 | Duration: | |
| Forces: solo piano Work No.: 92.12 |
Publisher: [UMP] | ||
| fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with 11, 13, 14). Based on Duet - Attila (Prologue). | |||
| O cieli azzuri... Verdi Transcription 13 |
Duration: | ||
| Forces: solo piano Work No.: 92.13 |
Publisher: [UMP] | ||
| fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with 11, 12, 14). Based on Romanza - Aida (Act 3). | |||
| "Qual mare, qual terra" Verdi Transcription 14 |
-1988 | Duration: | |
| Forces: solo piano Work No.: 92.14 |
Publisher: [UMP] | ||
| fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with 11-13). Based on Duet - I Masnadieri (Part 3). Material taken from Guwark (withdrawn). | |||
| Tu che la venita conoscesti Verdi Transcription 15 |
-1981 | Duration: | |
| Forces: solo piano Work No.: 92.15 |
Publisher: [UMP] | ||
| ‘To Sally Rettig’ fp: 4.5.82 Oxford Playhouse. Composer. Based on Aria - Don Carlo (Act 5). | |||
| Rushes [=Verdi Transcription 15] |
-1981 | Duration: | |
| Forces: solo piano Work No.: 92.15 |
Publisher: [UMP] | ||
| ‘To Sally Rettig’ Commissioned by Dance Umbrella. fp: 4.5.82 Oxford Playhouse. Composer; choreography: Siobhan Davies. | |||
| Hikkai Title: (Australian Aboriginal) - ‘Immediately!’ |
(1982-83) | Duration: 5’ | |
| Forces: solo piano Work No.: 112 |
Publisher: [Composer] | ||
| fp: 11.9.83 Sydney University, Australia. Composer. | |||
| View Score | |||
| Australian Sea Shanties Set 2 Shanties 4 & 1 |
-1983 | Duration: 6’ | |
| Forces: solo piano Work No.: 114.2 |
Publisher: [Oxford] | ||
| fp: 20.11.83 Murrumbeena, Victoria, Australia. Composer. Collected shorter piano pieces, vol. 2 | |||
| Listen: MP3 Real Audio | |||
| Two Teaching Pieces |
-1984 | Duration: 2’ | |
| Forces: solo piano Work No.: 122 |
Publisher: [Oxford] | ||
| ‘For Sally Retting.’ fp: 21.5.91 BMIC, London. Composer. | |||
| G.F.H./B.S. 2 pieces: may be performed together or separately |
(1985-86) | Duration: 4’ | |
| Forces: solo piano Work No.: 128 |
Publisher: [Oxford] | ||
| Collected shorter piano pieces, vol. 1 | |||
| G.F.H. Title: G[eorge] F[rederick] H[andel]. |
-1985 | Duration: 2’ | |
| Forces: solo piano Work No.: 128.1 |
Publisher: [Oxford] | ||
| ‘For the Handel Tercentenary.’ fp: 17.12.85 BMIC, London. Composer. Based on a quotation from Handel’s Trio Sonata Op. 1, no. 1. For New Music 87 (Oxford, 1987, p.58-9). | |||
| B.S. Title: B[ernard] S[tevens]. |
(1985-86) | Duration: 2’ | |
| Forces: solo piano Work No.: 128.2 |
Publisher: [Oxford] | ||
| ‘In memory of Bernard Stevens.’ fp: 3.3.86 BMIC, London. Composer. | |||
| Taja Title: (Sardinian) - tenor part in Sardinian religious music. |
-1986 | Duration: 5’ | |
| Forces: solo piano Work No.: 130 |
Publisher: [Oxford] | ||
| fp: 29.1.87 BMIC, London. Robert Keeley. Collected shorter piano pieces, vol. 1 | |||
| Two Teaching Pieces |
-1986 | Duration: 2’ | |
| Forces: solo piano Work No.: 131 |
Publisher: [Oxford] | ||
| ‘For Rachel Resnik.’ fp: 21.5.91 BMIC, London. Composer. | |||
| Gershwin Arrangements 13 pieces: may be performed separately |
(1975-1988 | Duration: 40’ | |
| Forces: solo piano Work No.: 136 |
Publisher: [Oxford] 3726394 | ||
| fp: first complete performance, 30.6.88 Union Chapel, Almeida Festival, London. Composer (nos. 1,5,7,9-13), James Clapperton (nos. 1-4’ 6 & 8). 2 Books: 1-7; 8-13. Based on songs by George Gershwin. | |||
| Listen: MP3 Real Audio | |||
| How long has this been going on? Gershwin Arrangements 1 |
-1987 | Duration: 3’ | |
| Forces: Work No.: 136.01 |
Publisher: [Oxford] | ||
| ‘For John Flinders.’ fp: 26.6.87 Middelburgh Festival, Netherlands. Composer From Rosalie (1928). | |||
| Things are looking up Gershwin Arrangements 2 |
-1987 | Duration: 3’ | |
| Forces: Work No.: 136.02 |
Publisher: [Oxford] | ||
| ‘To John Flinders.’ fp: 1.5.87 The Place, London. Composer (with 3, 5, 7). From Damsel in Distress (1937). | |||
| A Foggy Day in London Town Gershwin Arrangements 3 |
-1987 | Duration: 3’ | |
| Forces: Work No.: 136.03 |
Publisher: [Oxford] | ||
| ‘To John Flinders.’ fp: 1.5.87 The Place, London. Composer (with 2, 5 & 7). From Damsel in Distress (1937). | |||
| Love is here to stay Gershwin Arrangements 4 |
-1987 | Duration: 4’ | |
| Forces: Work No.: 136.04 |
Publisher: [Oxford] | ||
| ‘To John Flinders.’ fp: 10.77 Freiburg-im-Breisgau, Germany. Composer. fp: (final version) 26.6.87 Middelburg Festival, Netherlands. Composer. From Goldwyn Follies (1938). Original version (c. 2 mins.) was revised by adding an introducti | |||
| They can’t take that away from me Gershwin Arrangements 5 |
-1987 | Duration: 4’ | |
| Forces: Work No.: 136.05 |
Publisher: [Oxford] | ||
| ‘To John Flinders.’ fp: 1.5.87 The Place, London. Composer (with 2, 3 & 7). From Shall we Dance? (1937). | |||
| Shall we dance? Gershwin Arrangements 6 |
-1987 | Duration: 3’ | |
| Forces: Work No.: 136.06 |
Publisher: [Oxford] | ||
| ‘To John Flinders.’ fp: 30.6.88 Union Chapel, Almeida Festival, London. James Clapperton. From Shall we Dance? (1937). | |||
| "They’re writing songs of love, but not for me" Gershwin Arrangements 7 |
-1985 | Duration: 3’ | |
| Forces: Work No.: 136.07 |
Publisher: [Oxford] | ||
| ‘To John Flinders.’ fp: 1.5.87 The Place, London. Composer (with 2, 3 & 5). From Girl Crazy (1930). | |||
| Fidgety Feet Gershwin Arrangements 8 |
-1987 | Duration: 2’ | |
| Forces: Work No.: 136.08 |
Publisher: [Oxford] | ||
| ‘To Philip Adams.’ fp: 10.11.87 BMIC, London. Composer (with 1-7 & 11). From Oh, Kay! (1926). | |||
| Embraceable You Gershwin Arrangements 9 |
(1987-88) | Duration: 3’ | |
| Forces: Work No.: 136.09 |
Publisher: [Oxford] | ||
| ‘To Beatrice Cockburn on her first birthday.’ fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with nos. 1, 5, 7, 10-13). From Girl Crazy (1930). | |||
| Waiting for the sun to come out Gershwin Arrangements 10 |
-1987 | Duration: 3’ | |
| Forces: Work No.: 136.1 |
Publisher: [Oxford] | ||
| ‘To Anne Bolger.’ fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with 1, 5, 7, 9, 11-13). From The Sweetheart Shop (1920). | |||
| Innocent Ingénue Baby Gershwin Arrangements 11 |
-1987 | Duration: 4’ | |
| Forces: Work No.: 136.11 |
Publisher: [Oxford] | ||
| ‘To Peter Kite.’ fp: 10.11.87 BMIC, London. Composer (with 1-8). From Our Nell (1922) Gershwin/William Daly. | |||
| "Blah, blah, blah" Gershwin Arrangements 12 |
-1988 | Duration: 2’ | |
| Forces: Work No.: 136.12 |
Publisher: [Oxford] | ||
| ‘To Pierre Audi.’ fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with 1, 5, 7, 9-11, 13). From Delicious (1931). | |||
| Boy Wanted Gershwin Arrangements 13 |
-1988 | Duration: 3’ | |
| Forces: Work No.: 136.13 |
Publisher: [Oxford] | ||
| (No dedication) fp: 30.6.88 Union Chapel, Almeida Festival, London. Composer (with 1, 5, 7, 9-12). From A Dangerous Maid (1921). | |||
| Lylyly li Title: imitated from Joseph Beuys exhibit in the Landsmuseum’ Darmstadt.. |
(1988-89) | Duration: 8’ | |
| Forces: solo piano Work No.: 140 |
Publisher: [Oxford] | ||
| ‘For James Clapperton.’ fp: 15.4.89 Buffalo, NY, USA. James Clapperton. Collected shorter piano pieces, vol. 1 | |||
| Listen: MP3 Real Audio | |||
| Wee Saw Footprints "A set of [nine] short, easy teaching pieces" |
(1986-90) | Duration: 15’ | |
| Forces: solo piano Work No.: 141 |
Publisher: [Oxford] 3726459 | ||
| fp: 21.5.91 BMIC, London. Composer. | |||
| Pimmel |
(1988-89) | Duration: 4’ | |
| Forces: solo piano Work No.: 146 |
Publisher: [Oxford] | ||
| ‘For Chris Newman.’ fp: 4.11.89 Gonville & Caius College, Cambridge. Nicolas Hodges. Title: (German child’s slang) - ‘Penis’ Collected shorter piano pieces, vol. 1 | |||
| "Stanley Stokes, East Street 1836" Title: after persecuted Brighton homosexual. |
(1989/94) | Duration: 3’ | |
| Forces: solo piano Work No.: 147 |
Publisher: [Oxford] | ||
| fp (first version): 15.7.89 BMIC, London. Composer. fp (final version): 4.10.96 Conway Hall, London. Ian Pace. Based on Dies Irae from Berlioz’s ‘Grande Messe des Morts’ Collected shorter piano pieces, vol. 2 | |||
| Listen: MP3 Real Audio | |||
| More Gershwin 8 arrangements: may be performed separately |
(1989-90) | Duration: 32’ | |
| Forces: solo piano Work No.: 149 |
Publisher: [Oxford] | ||
| ‘For Joanna MacGregor.’ fp: 10 May 1990, BMIC, London. Composer. Based on songs by George Gershwin. | |||
| Listen: MP3 Real Audio | |||
| Sometimes I... Title: from Negro Spiritual ‘Sometimes I feel like a motherless child’ |
-1990 | Duration: 3’ | |
| Forces: solo piano Work No.: 151 |
Publisher: [Oxford] | ||
| ‘For Geoffrey Hannan.’ fp: 10.5.90 Winchester. Geoffrey Hannan. Written for Children in Need charity concert. Collected shorter piano pieces, vol. 2 | |||
| Can’t Help Lovin’ Dat Man |
-1990 | Duration: 10’ | |
| Forces: solo piano Work No.: 152 |
Publisher: [Oxford] | ||
| ‘To Joanna MacGregor.’ fp: 1990 BBC early evening concert. Joanna MacGregor. Arrangement of song from ‘Showboat’ by Jerome Kern. | |||
| View Score | |||
| Two of Us |
-1990 | Duration: 2’ | |
| Forces: solo piano Work No.: 153 |
Publisher: [Composer] | ||
| ‘For Aki Takahashi.’ fp: 1990 Buffalo, USA. Aki Takahashi. Arrangement of song by Lennon & McCartney. | |||
| View Score | |||
| My Love Is Like a Red Red Rose Title: afer Burns poem of same name. |
-1990 | Duration: 3’ | |
| Forces: solo piano Work No.: 158 |
Publisher: [Oxford] | ||
| ‘To Philip [Adams].’ Collected shorter piano pieces, vol. 2 | |||
| Listen: MP3 Real Audio | |||
| De toutes flours |
-1990 | Duration: 4’ | |
| Forces: solo piano Work No.: 159 |
Publisher: [Oxford] | ||
| ‘For Philip [Adams].’ Based on Machaut work of same name. Collected shorter piano pieces, vol. 2 | |||
| William Billings |
-1990 | Duration: 4’ | |
| Forces: solo piano Work No.: 161 |
Publisher: [Oxford] | ||
| ‘For James Clapperton’s 22nd Birthday.’ fp: 27.1.91 Maastricht, Netherlands. James Clapperton Collected shorter piano pieces, vol. 2. | |||
| Vanèn |
-1991 | Duration: 3’ | |
| Forces: solo piano Work No.: 162 |
Publisher: [Oxford] | ||
| ‘For Frits and Nanny Vanèn.’ fp: 3.2.91 Hilversum, Netherlands. Composer. | |||
| Rossini |
-1991 | Duration: 3’ | |
| Forces: solo piano Work No.: 163 |
Publisher: [Oxford] | ||
| ‘To Father Gordon O’Loughlin.’ fp: 18.2.93 BMIC, London. Ian Pace. Based on Idreno’s Aria ‘E se ancor libero’ - Semiramide Act I. Collected shorter piano pieces, vol. 2 | |||
| There never were [was] such hard times before |
-1991 | Duration: 2’ | |
| Forces: solo piano Work No.: 170 |
Publisher: [Oxford] | ||
| ‘In memory of Cornelius Cardew.’ fp: 13.12.91 Purcell Room, London. Composer. Based on English folk-song of same name. Collected shorter piano pieces, vol. 2 | |||
| French Piano Title: After Chris Newman drawing of same name. |
-1991 | Duration: 6’ | |
| Forces: solo piano Work No.: 171 |
Publisher: [Oxford] | ||
| ‘For Lesley Young.’ fp: 1995, BMIC, London. Michael Blake. Collected shorter piano pieces, vol. 2 | |||
| Willow Willow |
-1991 | Duration: 2’ | |
| Forces: solo piano Work No.: 172 |
Publisher: [Oxford] | ||
| ‘For Philip [Adams].’ Based on English folk-song of same name. | |||
| Listen: MP3 Real Audio | |||
| Nine Romantics |
-1992 | Duration: 25’ | |
| Forces: solo piano Work No.: 173 |
Publisher: [Oxford] | ||
| ‘For Rolf Hind.’ fp: 1.5.92 Aarhus, Denmark. Rolf Hind. Bears no relation to withdrawn work with same title. | |||
| New Perspectives on Old Complexity |
(1990/92) | Duration: 5’ | |
| Forces: solo piano Work No.: 174 |
Publisher: [Oxford] | ||
| ‘For Perspectives of New Music.’ fp: 21.4.94 BMIC, London. Ian Pace. Based on Sanctus super ‘Da gaudiorum premia’ - John Dunstable; Contrapunctus I (Die Kunst der Fuge) - J. S. Bach; Je tremble en voyant ton visage (Le Promen | |||
| Cibavit eos |
-1991 | Duration: 3’ | |
| Forces: solo piano Work No.: 175 |
Publisher: [Oxford] | ||
| ‘For The Musical Times Mozart Issue.’ fp: 3.12.91 Sussex University, Brighton. Composer. Based on Mozart’s antiphon of same name, K. 44 (73u). Published in The Musical Times, 1992. Collected shorter piano pieces, vol. 2 | |||
| Poor Stuff |
(1991-92/9 | Duration: 2’ | |
| Forces: solo piano Work No.: 176 |
Publisher: [Oxford] | ||
| in preparation | |||
| View Score | |||
| Wenn wir in höchsten Nöthen sind |
-1992 | Duration: 4’ | |
| Forces: solo piano Work No.: 177 |
Publisher: [Oxford] | ||
| fp: 1.10.92 BMIC, London. Nicolas Hodges. Based on the Chorale-Prelude by J S Bach BWV. 668. Collected shorter piano pieces, vol. 2 | |||
| A solis ortus cardine |
-1992 | Duration: 2’ | |
| Forces: solo piano Work No.: 180 |
Publisher: [Oxford] | ||
| ‘In memory of Olivier Messiaen.’ fp: 1992 Bratislava. Composer. | |||
| John Cage |
-1992 | Duration: 2’ | |
| Forces: solo piano Work No.: 183 |
Publisher: [Oxford] | ||
| ‘In Memory of John Cage.’ fp: 1992 Dartington Summer School. Composer. Based on fragment of music by Grieg and Satie. Collected shorter piano pieces, vol. 2 | |||
| Cozy Fanny’s Tootsies |
-1992 | Duration: 2’ | |
| Forces: solo piano Work No.: 184 |
Publisher: [Oxford] | ||
| ‘Christmas Greeting to Friends.’ fp: 10.5.96 Conway Hall, London. Ian Pace. Based on Mozart’s opera ‘Cosi Fan Tutti’ | |||
| ‘What the meadow-flowers tell me’ |
-1993 | Duration: 3’ | |
| Forces: solo piano Work No.: 186 |
Publisher: [Oxford] | ||
| ‘A Valentine for Philip [Adams].’ fp: 23.8.93 Seoul, Korea. Composer. Based on material from Mahler, Symphony No. 3. | |||
| Folklore "in four sections, may be performed separately" |
(1993-94) | Duration: 72’ | |
| Forces: solo piano Work No.: 188 |
Publisher: [Oxford] 3726424 | ||
| fp: 1.12.94 BMIC, London. Composer. | |||
| Folklore 2 |
(1993-94) | Duration: 28’ | |
| Forces: solo piano Work No.: 188.2 |
Publisher: [Oxford] | ||
| ‘For Sir Michael Tippett.’ fp: 27.6.94 Sofia, Bulgaria. Composer. Includes Haen and Let him answer yes or no (both withdrawn). Based on piobaireachd, Rumanian, Chinese and English folk music and Negro spiritual ‘Deep River’&q | |||
| Listen: MP3 Real Audio | |||
| Folklore 3 |
(1993-94/9 | Duration: 20’ | |
| Forces: solo piano Work No.: 188.3 |
Publisher: [Oxford] | ||
| ‘For Brian Ferneyhough on his 50th Birthday.’ fp: 22.10.93 Taipei, Taiwan. Composer. Includes Hier J’ai Recontré (withdrawn). Based on piobaireachd. French, Serbian and Swedish folk music. | |||
| Folklore 4 |
(1993-94) | Duration: 12’ | |
| Forces: solo piano Work No.: 188.4 |
Publisher: [Oxford] | ||
| ‘For Rodney Lister.’ fp: 11.2.94 University of Sussex, Brighton. Composer. Based on Indian, Korean, Chinese folk music, Rodney Lister ‘The Stones’, Sousa marches and Negro spiritual ‘Deep River’ | |||
| "The larger heart, the kindlier hand" Title: from Tennyson poem. |
-1993 | Duration: 1’ | |
| Forces: solo piano Work No.: 190 |
Publisher: [Oxford] | ||
| ‘In celebration of Justin Connolly's 60th Birthday.’ fp: 14.4.93 BMIC, London. Composer. | |||
| ...desde que naçe |
-1993 | Duration: 1’ | |
| Forces: solo piano Work No.: 192 |
Publisher: [Oxford] | ||
| ‘For the ISCM World Music Days in Mexico City.’ fp: 22.11.93, Mexico City, Mexico. Composer. Based on the Villancico ‘Los que fueren de buen gusto’ by Francisco de Vidales (c. 1630-1702). Published in OUP volume CSPP2. Collec | |||
| Yvaroperas 5 pieces |
(1993-95) | Duration: 9’ | |
| Forces: solo piano Work No.: 193 |
Publisher: [Oxford] | ||
| ‘In memory of Yvar Mikhashoff.’ fp: 10.6.94 (1-4 only) Almeida Theatre, London. Composer. fp (complete): 4.10.96 Conway Hall, London. Ian Pace. | |||
| Yvaropera 1 |
Duration: 3’ | ||
| Forces: solo piano Work No.: 193.1 |
Publisher: [Oxford] | ||
| Collected shorter piano pieces, vol. 2 | |||
| Yvaropera 2 |
Duration: 2’ | ||
| Forces: solo piano Work No.: 193.2 |
Publisher: [Oxford] | ||
| Based on ‘The Sun, whose rays...’ from Arthur Sullivan, The Mikado. Collected shorter piano pieces, vol. 2 | |||
| Yvaropera 3 |
Duration: 2’ | ||
| Forces: solo piano Work No.: 193.3 |
Publisher: [Oxford] | ||
| Collected shorter piano pieces, vol. 2 | |||
| Yvaropera 4 |
Duration: 2’ | ||
| Forces: solo piano Work No.: 193.4 |
Publisher: [Oxford] | ||
| Based on ‘Je crois entendre encore’ from Bizet, Les Pêcheurs de Perles. Collected shorter piano pieces, vol. 2 | |||
| Yvaropera 5 |
Duration: 2’ | ||
| Forces: solo piano Work No.: 193.5 |
Publisher: [Oxford] | ||
| fp: 22.6.96 Royal College of Music, London. Based on material from Arthur Sullivan, Iolanthe. Included in ‘Spectrum’ published by ABRSM (1996). | |||
| Listen: MP3 Real Audio | |||
| Ethel Smyth |
-1995 | Duration: 4’ | |
| Forces: solo piano Work No.: 201 |
Publisher: [Oxford] | ||
| fp: 26.10.95 Durham University. Composer. | |||
| View Score | |||
| "Violet, Slingsby, Guy and Lionel" 22 short pieces for beginners and their teachers. Title: from story by Edward Lear. |
(1994-96) | Duration: 18’ | |
| Forces: solo piano Work No.: 203 |
Publisher: [Oxford] | ||
| fp: 4.10.96 Conway Hall, London. Ian Pace. | |||
| Tracey and Snowy in Köln |
-1996 | Duration: 2’ | |
| Forces: solo piano Work No.: 205 |
Publisher: [Oxford] | ||
| ‘In memory of Tracey Chadwell’ fp: 14.3.96 Chapel Royal, Brighton. Composer. | |||
| View Score | |||
| Honky Blues |
-1996 | Duration: 1’ | |
| Forces: solo piano Work No.: 207 |
Publisher: [Oxford] | ||
| ‘For Marcel Worms.’ fp: 11.1.97 Bimhuis, Amsterdam. Marcel Worms. | |||
| Georghi Tutev |
-1996 | Duration: 4’ | |
| Forces: solo piano Work No.: 208 |
Publisher: [Oxford] | ||
| ‘To Mara Chapanova, in memory of Georghi Tutev.’ fp: 17.6.96 Musica Nova, Sofia, Bulgaria. Composer. | |||
| Ten Tangos "10 Tangos, can be performed separately [23 tangos]" |
(1962-96) | Duration: 14’ | |
| Forces: solo piano Work No.: 213 |
Publisher: [Oxford] 3726440 | ||
| Listen: MP3 Real Audio | |||
| Tu me dirais |
-1996 | Duration: 3’ | |
| Forces: solo piano Work No.: 215 |
Publisher: [Oxford] | ||
| ‘In memory of Elizabeth Abercrombie.’ fp: 5.12.96 Conway Hall, London. Ian Pace. Based on Cécile Chaminade song of same name. | |||
| Elephant |
-1994 | Duration: 2’ | |
| Forces: solo piano Work No.: 194 [1 |
Publisher: [Oxford] | ||
| ‘For Luk.’ fp: 4.10.96 Conway Hall, London. Ian Pace. | |||
| View Score | |||
| "Cielo pietoso, rendila a questo core" "Verdi Transcription, fragment a" |
Duration: | ||
| Forces: solo piano Work No.: 92.12a |
Publisher: [UMP] | ||
| fp: 26.1.96 Conway Hall, London. Ian Pace. Based on fragment from Simon Boccanegra (Act 2). | |||
| La Traviata Verdi Transcription Fragment b |
Duration: | ||
| Forces: solo piano Work No.: 92.12b |
Publisher: [UMP] | ||
| fp: 26.1.96 Conway Hall, London. Ian Pace. Based on music from La Traviata (Act 1). | |||
| Vi fu in Palestina Verdi Transcription Fragment c |
Duration: | ||
| Forces: solo piano Work No.: 92.12c |
Publisher: [UMP] | ||
| fp: 26.1.96 Conway Hall, London. Ian Pace. Based on fragment from Aroldo (Finale Act 1). | |||
| The Chinese Bridge |
-1950 | Duration: 0’ 3 | |
| Forces: solo piano Work No.: J1 |
Publisher: [Composer] | ||
| probably lost | |||
| Juvenilia "five pieces: Valse Burlesque, Tambourin, Air and Variation, Preambule, Vêpres" |
(1953-58) | Duration: 5-6’ | |
| Forces: solo piano Work No.: J2 |
Publisher: [Oxford] | ||
| Published in ‘Wee saw footprints’ | |||
| Polskie Tance Op. 32 "Four pieces: Kujawiak-Kozak, Kozak-Drobny, Kujawiak, Zbójnicki" |
(1955/62) | Duration: 1’ | |
| Forces: solo piano Work No.: J3 |
Publisher: [Oxford] | ||
| Two Mazurkas Op. 142 |
-1957 | Duration: 3’ | |
| Forces: solo piano Work No.: J4 |
Publisher: [Oxford] | ||
| Collected shorter piano pieces, vol. 1 | |||
| View Score | |||
| Two Pasodobles No. 1 ‘In memory of Isaac Albeniz’ Title: Spanish dance in duple tune. |
(1959 | Duration: 3’ | |
| Forces: solo piano Work No.: J5 |
Publisher: [Oxford] | ||
| Collected shorter piano pieces, vol. 1 | |||
| Vieux Nöel Op. 59 No 2 |
(c. 1958-5 | Duration: 2’ | |
| Forces: solo piano Work No.: J7 |
Publisher: [Oxford] | ||
| Collected shorter piano pieces, vol. 2 | |||
| Romance (with Intermezzo) |
-1960 | Duration: 3’ | |
| Forces: solo piano Work No.: J8 |
Publisher: [Oxford] | ||
| View Score | |||
