| Le Dormeur du Val |
(1963-64/6 | Duration: 7’ | |
| Forces: ""mezzo-soprano, cel, hpd, pf, 2vn, va, vc"" Work No.: 1 |
Publisher: [Composer] Formerly published by Universal. | ||
| Text: from Arthur Rimbaud’s poem of same name. | |||
| From The Revelations of Saint John the Divine |
(1965/1970 | Duration: 7’ | |
| Forces: high sop, fl, 2vn, 2va, 2vc Work No.: 2 |
Publisher: [Composer] | ||
| fp: 31.10.73. Sheffield University. June Barton (sop), Graham Mayger (fl), Members of Northern Sinfonia. Some material from earlier work of same title, for sop, chorus and small orchestra. Text: none. | |||
| Song 3 |
-1969 | Duration: 2’ | |
| Forces: sop. ca, hn, pf, elec organ Work No.: 4.03 |
Publisher: [Composer] | ||
| Text: Alexander Blok (in Russian). Original (withdrawn) version was for soprano and piano. | |||
| Folk Song Set version A. ‘In memory of Percy Grainger.’ |
(1969-70) | Duration: 13’ | |
| Forces: sop, ca, cl(ecl) flugelhorn, perc, 2vn, va, vc, db Work No.: 12.1 |
Publisher: [Universal] | ||
| fp: 29.8.76 Venice Biennale, Italy. Joan Logue (sop), Webern Ensemble, dir. Marcello Panni. Text: Traditional English, adapted by composer. | |||
| Folk Song Set version B. ‘In memory of Percy Grainger.’ |
(1969-70/7 | Duration: 13’ | |
| Forces: mezzo, fl, cl, pf, vn, va, vc Work No.: 12.2 |
Publisher: [Universal] | ||
| fp: 12.1.80 Purcell Room, London. Josephine Nendick (mez), Capricorn, dir. Lionel Friend. Text: Traditional English, adapted by composer. Omits one (high) song from version A: ‘If young girls...’ | |||
| Folk Song Set version C. ‘In memory of Percy Grainger.’ |
(1969-70/7 | Duration: 15’ | |
| Forces: mezzo, fl, ob, perc, pf Work No.: 12.3 |
Publisher: [Universal] | ||
| fp: 19.8.80 Dartington, Devon. Josephine Nendick (mez), Suoraan. Text: Traditional English adapted by composer. Omits one (high) song from version A. | |||
| Jeanne d’Arc |
(1967-71/A | Duration: 18’ | |
| Forces: high sop, tenor, solo cello, fl(pic), afl, arec, hn, ptpt, bass, sax, gui, hp 3vn, va, vc, db& Work No.: 13 |
Publisher: [Universal] | ||
| fp: 11.9.72 Hilversum, Netherlands. Gertie Charlent, Bert van t’Hof, Max Werner, Netherlands Radio CO, dir. Peter Keuschnig. Text: from The Trial of Joan of Arc. Currently under revision. | |||
| World |
(1968-74) | Duration: 19’ | |
| Forces: 2(2pic:afl)2(oda:ca)2(ecl)0/1.2(2ptpt)1.1/3perc.cimbalom. celesta.2pf.hp/2vn.2va.2vc.2db/6 voices (h Work No.: 16 |
Publisher: [Edition Modern] | ||
| ‘To Harry Halbreich.’ Commissioned by The London Sinfonietta. fp: 23.3.75 Royan Festival, France. J. Nelson, M. Thomas, J. Stickland, P. Hall, P. Knapp, W. Mason, London Sinfonietta, dir. Simon Bainbridge. Text: Mayakovsky, H_lderlin, Ri | |||
| Babylon |
(1971/AR) | Duration: | |
| Forces: mezzo, ob, ecl, asax, bn, gui, hp, pf, 2perc, 2vc, db Work No.: 17 |
Publisher: [Universal] | ||
| fp: 11.9.72 Gaudeamus Music Week, Hilversum, Netherlands. Kitty Donker (mezzo), Netherlands Radio Chamber Orchestra, dir. P. Keuschnig. Text: none. Currently under revision. | |||
| Irma Cortez "Text: Composer, after ‘The Discovery and Conquest of Peru’ by Augustin Zarât |
(1970-72/9 | Duration: 24’ | |
| Forces: solo baritone, bn, perc, accordion, pf, hp, vn, db. Work No.: 19 |
Publisher: [Composer] | ||
| fp: (final version) 25.11.96 Royal Academy of Music, London. Robert Rice (bar), Manson Ensemble, dir. Composer. Original version (unperformed) included actors, no percussion. | |||
| "Circle, Chorus and Formal Act" |
-1973 | Duration: 23’ | |
| Forces: baritone, 2 female choirs, chorus of 9 perc, ob(ca), 2 hn, perc Work No.: 21 |
Publisher: [Composer]. Formerly published by Universal. | ||
| ‘To the Students of The Place.’ fp: 5.6.73 The Place, London. Students of The Place. Text: Composer, after traditional English folk-verse. | |||
| Mystery 2 The Earthly Paradise |
(1977-78) | Duration: 14’ | |
| Forces: mezzo, tenor, bass, 2 actors, 2pic, alto recorder, ob/oda, ca, 4 tpt, 2cel, 3perc, 2va, 2vc, d Work No.: 22.2 |
Publisher: [Composer] | ||
| Mystery 3 Noah and the Great Flood |
-1978 | Duration: 16’ | |
| Forces: tenor, 2 actors, alto recorder, ca, 3 perc Work No.: 22.3 |
Publisher: [Composer] | ||
| Mystery 7 The Betrayal and Crucifixion of Jesus of Nazareth |
(1978-79) | Duration: 20’ | |
| Forces: 2 sop, mez, ten, 6 speakers, 2 srec, pic, pic(afl), oda, ca, tpt, 3perc, 2cel, hp, 6vn, vc&quo Work No.: 22.7 |
Publisher: [Composer] | ||
| fp: (section for soprano and trumpet) Washington DC, date unknown. Phillis Bryn-Julson (sop). | |||
| Commedia dell’incomprensibile potere che alcune donne hanno sugli uomini Title: ‘Comedy of the incomprehensible power that some women have over men.’ . |
(1973-75) | Duration: 12’ | |
| Forces: soprano, counter-tenor, cello, harpsichord Work No.: 24 |
Publisher: [Universal] | ||
| ‘For The Five Centuries Ensemble.’ fp: 30.6.77 Hilversum, Netherlands. Carol Plantamura (sop), John-Patrick Thomas (ctn), Marijke Verberne (vc), John Whitelaw (hpd). Text: Composer with early English anon. Taken from Genesis B: The Fall | |||
| Medea |
(1973-76/A | Duration: 6’ | |
| Forces: 5 voices and orchestra (first version) Work No.: 25 |
Publisher: [Composer] | ||
| Some material from 1st version re-used in ‘First Sign a Sharp White Moon...’ | |||
| Cipriano |
-1974 | Duration: 14’ | |
| Forces: tenor, 9 voice SATB chorus (high sop, 2 sop, mez, ctn, ten, bar, 2bas) Work No.: 28 |
Publisher: [Edition Modern] | ||
| fp: (private) 27.11.75 Birmingham. P. Hall, John Alldis Choir, dir. J. Alldis. fp: (public) 11.12.75 Wigmore Hall, London. P. Hall, John Alldis Choir, dir. J. Alldis. Text: Pedro Calderón de la Barca. | |||
| Orfeo |
(1974-75/A | Duration: 6’ | |
| Forces: 6 voices, 3 tbn, 2 lute, perc, db (first version), revised for solo mezzo-soprano Work No.: 30 |
Publisher: [Composer] | ||
| Text: Ovid (Book XI of Metamorphoses.’) | |||
| Mr Punch Version 2 |
(1976-77/7 | Duration: 21’ | |
| Forces: voice, fl, ob, perc, pf, vn, (vc) Work No.: 39.2 |
Publisher: [Universal] | ||
| fp: 1979 Suoraan. | |||
| Mine Eye Awake |
-1977 | Duration: 6’ | |
| Forces: lyric soprano, piano Work No.: 46 |
Publisher: [Universal] | ||
| ‘To Elisabeth Lutyens.’ fp: 23.1.78 Harrogate Theatre, Harrogate. Elaine Barry (sop)’ composer (pf). Text: William Shakespeare Sonnet 61. | |||
| Gor Title: (Japanese) - name. |
-1978 | Duration: 20’ | |
| Forces: tenor, afl, cl, hp, vn, va, vc Work No.: 55 |
Publisher: [Universal] | ||
| Commissioned by the Bath Festival. fp: 23.5.79 Bath Festival. Alastair Thomson (ten), Nash Ensemble. Text: Kineya Rokuzaemon X. | |||
| Sir Tristran Title: after medieval poem. |
-1978 | Duration: 20’ | |
| Forces: soprano, clarinet, piano, violin, viola, cello Work No.: 57 |
Publisher: [Universal] | ||
| Commissioned by the Nash Ensemble. fp: 15.12.80 St John’s Smith Square, London. P. Walmsley-Clark (sop), Circle, dir. Gregory Rose. Text: Malory, Beroul, T. d’Angleterre, M. de France. | |||
| Talawva "Title: (Hopi Indian) ‘Red light of dawn (when man fully formed, proudly faced his creato |
(1979/AR) | Duration: 8’ | |
| Forces: mezzo-soprano, fl(pic), ob(oda), perc, pf Work No.: 64 |
Publisher: [Composer] | ||
| ... fairest noonday ... |
-1979 | Duration: 8’ | |
| Forces: tenor, piano Work No.: 66 |
Publisher: [Composer]. Formerly published by Universal. | ||
| ‘To Martyn Hill.’ Commissioned by the BBC. fp: 5.3.80 Leeds University. Martyn Hill (ten), John Constable (pf). Text: Friedrich Hölderlin (in German). | |||
| Lord Melbourne |
-1980 | Duration: 12’ | |
| Forces: soprano, clarinet, piano Work No.: 75 |
Publisher: [Universal] | ||
| ‘For the Arioso Trio.’ Commissioned by the Worfield Charity Concert Trust. fp: 25.9.82 Rudge Hall, Pattingham. Lynda Russell (sop), David Campbell (cl), Andrew Ball (pf). Text: none. Based on English folk-song (as transcribed by Grainger | |||
| Duru-Duru Title: (Sardinian) - ‘Around-around’ |
-1981 | Duration: 9’ | |
| Forces: mezzo-soprano, flute, perc, piano Work No.: 86 |
Publisher: [Oxford] | ||
| ‘To James and Catia Clarke.’ fp: 21.1.82 Purcell Room, London. Josephine Nendick (mez), Suoraan, dir. James Clarke. Text: Sardinian folk poem. | |||
| View Score | |||
| Warara Title: (Australian Aboriginal) - ‘Red Ochre’ |
(1982/91) | Duration: 9’ | |
| Forces: soprano, flute, clarinet, percussion, violin, cello Work No.: 93 |
Publisher: [Oxford] | ||
| ‘To Richard and Valérie Hames, Ben, Rachael, Toby and Jessica.’ fp: 29.5.82 Victoria College, Melbourne, Australia. Victorian Time Machine, dir. Richard David Hames. [tenor, flute, clarinet, 2 percussion]. fp: (final version) Ixio | |||
| Whitman |
(1980-83/A | Duration: | |
| Forces: mezzo soprano plus accompaniment Work No.: 105 |
Publisher: [Composer] | ||
| fp: (1st version) 8.3.93 Purcell Room, London. J Nendick (mez)’ Suoraan. fp: (2nd version) 19.5.83 BMIC, London. Jane Ginsburg (sop), George Nicholson (pf). Two earlier versions (1st for mezzo-soprano, fl(afl), ob(ca,oda)’ perc; 2nd for | |||
| Vaudeville Version 1 |
(1983/87) | Duration: 45’ | |
| Forces: mezzo, bar, cl, bn, flugelhorn, tbn, perc, vn, db, 2 dancers Work No.: 109.1 |
Publisher: [UMP] | ||
| ‘To Oliver Knussen.’ Commissioned by the Vale of Glamorgan Festival. fp: 30.8.83 Vale of Glamorgan Festival. Mary King (mez), John Rath (bar), Music Projects/London, dir. Richard Bernas. Text: Walt Whitman, nursery rhymes, H. M. Milner, | |||
| Vaudeville Version 2 |
(1983/87) | Duration: 22’ | |
| Forces: mezzo, bar, cl, bn, flugelhorn, tbn, perc, vn, db Work No.: 109.2 |
Publisher: [UMP] | ||
| fp: 30.6.87 Almeida Festival. Susan Bickley (mez), Quentin Hayes (bar), Ensemble, dir. Oliver Knussen. Text: Walt Whitman, nursery rhymes, George Cooper, Pedro Calderón de la Barca.. Shortened version: scene 3 recomposed (Romeo & Juliet - | |||
| Le Lay de la Fonteinne "Guillaume de Machaut, arranged and edited by Michael Finnissy" |
(1983/90) | Duration: 22’ | |
| Forces: mezzo-soprano, fl(pic), oboe, vib or pf Work No.: 110 |
Publisher: [Oxford] 3453290 | ||
| fp: 29.10.83 Purcell Room, London. Suoraan. fp: (final version) 9.6.90, Greenwich Festival. Virginia de Ledesma (sop), Focus, dir. Composer. | |||
| Botany Bay Text: based on an Australian colonial folk-song. |
(1983/89) | Duration: 4’ | |
| Forces: mezzo-soprano, flute, oboe or clarinet Work No.: 113 |
Publisher: [Composer] | ||
| fp: 1.10.83 Ballarat, Victoria, Australia. Jeannie Marsh (mez), Rachele Skinner (fl), Jane Robertson (cl). fp: (final version) 18.5.89 BMIC, London. Ixion (version with clarinet). | |||
| Soda Fountain "Title: O. Wilde, A. C. Doyle, Giesecke, Schikaneder, Illica’ Wagner, E. Bronte, Haym, J. |
-1983 | Duration: 20’ | |
| Forces: soprano, mezzo-soprano, contralto, tenor Work No.: 116 |
Publisher: [Composer] | ||
| ‘For Victoria Watson, Sandra Oldis, Jeannie Marsh & Christopher Bogg.’ fp: 23.3.84 Victoria College, Melbourne, Australia. V. Watson (sop), S. Oldis (mez), J. Marsh (alt), C. Bogg (ten). | |||
| Ngano Title: (Venda) - evening song. Text: traditional Venda. |
(1983-84) | Duration: 18’ | |
| Forces: mezzo-soprano, tenor, double SATB chorus, flute, 2 percussion Work No.: 117 |
Publisher: [UMP] | ||
| Commissioned by the BBC. fp: 12.6.84 QEH, London. J. Bingham (mez), N. Mackenzie (ten), BBC Singers, S. Bell, J. Holland, D. Johnson, dir. Diego Masson. | |||
| Celi Title: (Latin) - ‘Of Heaven’ |
(1984/97) | Duration: 15’ | |
| Forces: 2 sopranos, 2 ecl, trb, 3va Work No.: 123 |
Publisher: [UMP] | ||
| original version, 2 high sopranos, flute, oboe, trombone’ percussion, double bass fp: 24.10.85 IRCAM, Paris, France. Penelope Walmsley-Clarke, Sarah Leonard (sop), Ensemble Intercontemporain, dir. Ronald Zollman. Text: Hildegard of Bingen (in | |||
| Cabaret Vert Title: from poem by Rimbaud (French) - ‘Green Inn Cabaret’ |
-1985 | Duration: 10’ | |
| Forces: mezzo-soprano, flute, cor anglais, percussion Work No.: 125 |
Publisher: [Composer] | ||
| fp: 11.5.85 ORTF, Paris, France. J. Nendick (mez), N. Ruffer (fl)’ J. Harrod (perc), C. Redgate (ob), dir. Roger Redgate. All poems refer to the colour green. Text: Rumanian folk poetry. | |||
| View Score | |||
| Catchpenny Rhymes |
(1986/89/A | Duration: | |
| Forces: Work No.: 133 |
Publisher: [Composer] | ||
| fp: (second version ) 13.5.89 Brighton Festival. Mary Wiegold (sop), Composers Ensemble, dir. Composer. Text: Traditional English nursery rhymes. Two earlier versions (1st: 9 songs for voice and piano; 2nd: songs 2, 3, & 9, for soprano, viola an | |||
| The Undivine Comedy Opera in 17 scenes |
(1985-88/9 | Duration: 114’ | |
| Forces: sop, mez, ten, 2bar, 2fl(pic,afl), 2ob(ca), cl(ecl,bcl), 2perc, elec org(cel), vn, va, vc" Work No.: 135 |
Publisher: [Oxford] 3361116 3361108 (libretto) 3361094 (study score) | ||
| fp: 14.5.88 Theatre de la Bastille, Paris, France. Pauline Vaillancourt, Mary King, Nigel Robson, Richard Jackson, Richard Morris, Ensemble Exposé, dir. Composer. Text: composer, after the play by Z. Krasinski, with additional material from H | |||
| Beuk o’Newcassel Sangs |
-1988 | Duration: 12’ | |
| Forces: soprano, clarinet in C, piano Work No.: 139 |
Publisher: [Oxford] 3453258 | ||
| Commissioned by Tapestry. fp: 16.2.89 Newcastle University. Tapestry. Text: traditional Newcastle folk-songs, from A beuk o’Newcassel Sangs, collected by Joseph Crawhall (1888). | |||
| Judith Weir: Songs from the Exotic 10’ (on the rocks) 4 songs |
-1989 | Duration: 10’ | |
| Forces: soprano, clarinet, piano Work No.: 144 |
Publisher: [Composer] | ||
| fp: 4.5.89 Crawford Arts Centre, St Andrews, Fife. Tapestry. Text: Traditional Serbian, Spanish and Gaelic. Composer added clarinet part to an earlier composition by Judith Weir for mezzo-soprano & piano. Also transposed up to soprano range.&quo | |||
| Unknown Ground Song cycle |
(1989-90) | Duration: 25’ | |
| Forces: baritone, piano, violin, cello Work No.: 150 |
Publisher: [Oxford] 3453266 | ||
| fp: 15.5.90 Marlborough Pub Theatre, Brighton. Richard Jackson (bar), Roger Redgate (vn), Julia Ryder (vc), composer (pf). Text: anon: Nick W.; Steve R.; Philip X.; Brent T.; Nicolai Kluyev; Mikhail Kuzmin; Sergei Esenin (in English). | |||
| Same as we Version 1 |
-1990 | Duration: 10’ | |
| Forces: soprano, pre-recorded tape Work No.: 154.1 |
Publisher: [Oxford] 3453274 | ||
| ‘For Juliet Oppenheimer.’ fp: 10.8.90 Dartington, Devon. Juliet Oppenheimer. Text: James Joyce: Finnegans Wake. | |||
| Same as we Version 2 |
-1990 | Duration: 10’ | |
| Forces: mezzo-soprano, alto flute, cimbalom Work No.: 154.2 |
Publisher: [Oxford] 3453282 | ||
| ‘For Elise, Anne and Mikael.’ fp: 1990 Flanders Festival, Ghent, Belgium. Zivitar. | |||
| Maldon |
-1990 | Duration: 20’ | |
| Forces: baritone, SATB chorus, 2 trombones, 2 percussion, organ Work No.: 155 |
Publisher: [Oxford] 3361124 3361132 (performing score) | ||
| fp: 15.6.91 Maldon Millennium festivities. Text: composer, from ‘The Battle of Maldon’ (anon/Anglo-Saxon). | |||
| View Score | |||
| Kulamen Dilan Title: (Kurdish) - ‘Love Songs’ |
-1990 | Duration: 10’ | |
| Forces: soprano saxophone [or oboe], percussion Work No.: 156 |
Publisher: [Oxford] 3564424 | ||
| ‘For Steve [Cottrell] and Liz [Davis].’ fp: 21.7.90 Darmstadt, Germany. Steve Cottrell (ssax), Steven Schick (perc). | |||
| View Score Listen: MP3 Real Audio | |||
| The Cambridge Codex |
-1991 | Duration: 18’ | |
| Forces: soprano, fl(picc), perc(2 bells), violin, cello Work No.: 165 |
Publisher: [Oxford] 3453304 | ||
| Commissioned by the Cambridge New Music Players. fp: 13.11.91 University Concert Hall, Cambridge. Cambridge New Music Players. Text: Medieval anonymous sacred poems (in Latin and English). | |||
| "Three Motets, Two Interludes" |
-1991 | Duration: 16’ | |
| Forces: soprano, violin, viola, cello Work No.: 167 |
Publisher: [Oxford] 3564572 | ||
| Interludes for string trio alone, (c. 4’) unfinished | |||
| View Score | |||
| The Cry of the Prophet Zephaniah |
-1992 | Duration: 7’ | |
| Forces: solo baritone, TB men’s choir, 2 tpt, 2 trb, 2 vc. Work No.: 178 |
Publisher: [Oxford] | ||
| Commissioned by BBC TV for series ‘The Cry’ fp: 6.12.92 BBC TV. Producer: Chris Mann. Text: Book of Zephaniah. | |||
| Thérése Raquin |
(1992-93/9 | Duration: 90’ | |
| Forces: soprano, mezzo-soprano, counter tenor, baritone, piano Work No.: 181 |
Publisher: [Oxford] 3361167 | ||
| Commissioned by The Garden Venture & Eastern Arts. fp: 1.10.93 Bury St Edmunds. Royal Opera House Garden Venture. Heather Lorimer, Linda Hirst, Andrew Watts, Richard Jackson, Christopher Willis. Text: composer, after the novel and play by Emile | |||
| Blessed be Version 1 |
-1992 | Duration: 3’ | |
| Forces: soprano, piano, double bass Work No.: 182.1 |
Publisher: [Oxford] | ||
| Commissioned by Kathleen Supové for The Political Songbook. fp: 1993 Bang On A Can Festival, New York, USA. D. Ohrenstein (sop), K. Supové (pf), R. Black (db). Text: St Matthew. | |||
| Blessed be Version 2 |
-1995 | Duration: 5’ | |
| Forces: tenor, flute, horn, guitar, harp, cello Work No.: 182.2 |
Publisher: [Oxford] | ||
| ‘To Gerald English.’ fp: unperformed (1996). | |||
| Blessed be Version 3 |
-1996 | Duration: | |
| Forces: soprano, recorder, piano Work No.: 182.3 |
Publisher: [Oxford] | ||
| fp: 26.10.96 Wilmslow Parish Hall. Alison Wells, John Turner’ Keith Swallow. | |||
| Silver Morning |
-1993 | Duration: 15’ | |
| Forces: tenor or baritone, piano, violin, cello [baritone, piano and string quartet] Work No.: 191 |
Publisher: [Oxford] 346453X | ||
| Commissioned by South West Arts. fp: 15.7.95 Cheltenham Festival. Text: A E Housman. | |||
| Quelle |
-1994 | Duration: 3’ | |
| Forces: saxophones: 2 soprano, 2 contrabass Work No.: 194 |
Publisher: [Oxford] | ||
| ‘For Thomas K. J. Mejer.’ fp: Recorded but no concert performance (1996). | |||
| Shameful Vice |
(1994-95) | Duration: | |
| Forces: 2 soprano, mezzo-soprano, tenor, baritone, bass, 2 cl, 2 tpt, gtr, hp, 2 vn, db Work No.: 197 |
Publisher: [Oxford] 3361183 | ||
| Commissioned by Vocem Electric Voice Theatre and Endymion. fp: 28.3.95 Blackheath Concert Halls, London. Vocem; Endymion Ensemble. Text: Composer, after letters and diaries of Tchaikovsky. | |||
| Liturgy of Saint Paul |
(1991-95) | Duration: 30’ | |
| Forces: counter tenor, 2 tenors, baritone, chamber organ Work No.: 202 |
Publisher: [Oxford] | ||
| fp: 1.8.96 (incomplete) Cambridge. Hilliard Ensemble. Text: Latin mass. Eusebius, The Acts of the Apostles (in Greek). Includes Missa in Commemoratione Sancti Pauli and Missa in Festo Conversionis Sancti Pauli (withdrawn). | |||
| Golden Sleep |
-1996 | Duration: 12’ | |
| Forces: solo tenor, baritone, SATB choir Work No.: 209 |
Publisher: [Oxford] | ||
| ‘For Zöe, Gary and the Vasari Singers.’ Commissioned by Steyning Music Society Text: Homer’s Iliad XXIII, 93-101 in translation by Alexander Pope. Unperformed but broadcast by the BBC Singers (1997). | |||
| Mr Punch Version 1 |
(1976-77/7 | Duration: 21’ | |
| Forces: voice, fl(pic), ecl, 1perc, pf, vn, vc Work No.: 39. 1 |
Publisher: [Universal] | ||
| ‘To Peter Maxwell Davies.’ Commissioned by The Fires of London fp: 8.2.78 QEH, London. Mary Thomas (mez), The Fires of London, dir. Peter Maxwell Davies. Text: composer, after traditional 18th & 19th century sources. Original version | |||
| Symphony No. 1 |
(1962-64) | Duration: 20’ | |
| Forces: soli contralto, va, vc, cbn. 4(pic)4(ca)3(bcl)4/8hn, 5trb/7perc/gui, org,2hp/str(0.0.12.8.6)&q Work No.: J11 |
Publisher: [Composer] | ||
| fp: unperformed. Text: Fizgerald/Khayyám ‘Rubáiyát’, Milton ‘The Passion’ | |||
| Forget-me-not |
-1959 | Duration: | |
| Forces: voice and ensemble Work No.: J6 |
Publisher: [Composer] | ||
| Text: Poem by William McGonagall. | |||
