Full List
(325 Scores)
| Le Dormeur du Val |
1963-1968 | ||
| Forces: mezzo-soprano, cel, hpd, pf, 2vn, va, vc | |||
| Duration: 7 | Work No.: 1 | Publisher: Composer | |
| Text: from Arthur Rimbaud’s poem of same name. | |||
| From The Revelations of Saint John the Divine |
1965-1970 | ||
| Forces: high sop, fl, 2vn, 2va, 2vc | |||
| Duration: 7 | Work No.: 2 | Publisher: Composer | |
| fp: 31.10.73. Sheffield University. June Barton (sop), Graham Mayger (fl), Members of Northern Sinfonia. Some material from earlier work of same title, for sop, chorus and small orchestra. Text: none. | |||
| Horrozone |
1965-1987 | ||
| Forces: sop, fl, cor, vib, pf | |||
| Duration: 8 min 33 | Work No.: 3 | Publisher: Composer | |
| 1965 rev. 1987 | |||
| Songs 1-18 Title: from Stan Brakhage films of same name. |
1966-1978 | ||
| Forces: various | |||
| Duration: | Work No.: 4 | Publisher: Composer | |
| to be performed separately, in groups, or as complete cycle. Some Songs based on material dating from 1963. Original versions of Songs 1-4 were conceived as a set. | |||
| Afar |
1966-1967 | ||
| Forces: fl, ca, 3tpt, perc, cel | |||
| Duration: 13 | Work No.: 5 | Publisher: Edizioni Suvini Zerboni | |
| fp: 12.9.71. Utrecht, Netherlands. Netherlands Mobiel Ensemble, dir. Jan Stulen Title: from Paul Eluard’s poem translated Samuel Beckett: ‘Out of sight in the direction of my body’ | |||
| Xunthaeresis |
1967 | ||
| Forces: org | |||
| Duration: 7 | Work No.: 6 | Publisher: Composer | |
| As when upon a tranced summer night |
1966-1968 | ||
| Forces: 2perc, pf, 3 vc | |||
| Duration: | Work No.: 7 | Publisher: Universal | |
| fp: (final version) 2.11.78. Royal Northern College of Music, Manchester, Park Lane Music Players, dir. Lionel Friend. fp: 17.7.67. Montreal, Canada. Thomas Igloi, Clive Gillinson’ Robert Lay (vc), John Lill (pf), composer (perc). In memory of my fa | |||
| Untitled piece to honour Igor Stravinsky |
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| Forces: | |||
| Duration: | Work No.: 8 | Publisher: Tre Media | |
| 2 versions | |||
| Make-up |
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| Forces: unspecified small ensemble | |||
| Duration: 6 | Work No.: 9 | Publisher: Composer | |
| Romeo and Juliet are drowning |
1967-1973 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 10 | Publisher: OUP | |
| fp: Unknown. Composer. Based on love scene from Berlioz’s dramatic symphony ‘Romeo & Juliet’ Collected shorter piano pieces, vol. 2 | |||
| Transformations of the vampire Title: from Baudelaire’s poem ‘Pièces condamnées - Fleurs du Mal’ &l |
1968-1971 | ||
| Forces: cl, 3perc, vn, va | |||
| Duration: 14 | Work No.: 11 | Publisher: Universal | |
| fp: 19.9.73 Hilversum, Netherlands. Ensemble Pro en Contra, dir. Peter Keuschnig. | |||
| Autumnall Title: from Donne’s poem ‘The Autumnall’ ‘For Alexander Abercrombie.’ |
1968-1971 | ||
| Forces: solo piano | |||
| Duration: 5 | Work No.: 12 | Publisher: OUP | |
| fp: 6.2.73 Wigmore Hall, London. Alexander Abercrombie. Original version was for voices and ensemble: ‘music drama in the form of a TV script’ 2nd version was an extended version of the 3rd and final version. Collected shorter piano piec | |||
| Listen: MP3 Real Audio | |||
| n ‘To Jaap Flier and Willy de la Bije.’ |
1969-1972 | ||
| Forces: any 1 - 4 players, different ranges. | |||
| Duration: 8 | Work No.: 13 | Publisher: Universal | |
| Independent parts, no score. fp: 19.3.70 Cockpit Theatre, London. Students of the Royal College of Music. fp: (final version) 10.4.78 Wigmore Hall, London. Members of Peregrine Quintet (fl, ob, cl, hn). | |||
| Jeanne d’Arc |
1967 | ||
| Forces: high sop, tenor, solo cello, fl(pic), afl, arec, hn, ptpt, bass, sax, gui, hp 3vn, va, vc, db& | |||
| Duration: 18 | Work No.: 15 | Publisher: Universal | |
| fp: 11.9.72 Hilversum, Netherlands. Gertie Charlent, Bert van t’Hof, Max Werner, Netherlands Radio CO, dir. Peter Keuschnig. Text: from The Trial of Joan of Arc. Currently under revision. | |||
| Strauss-Walzer 3 pieces based on Waltzes of Johann Strauss |
1967-1989 | ||
| Forces: solo piano | |||
| Duration: 10 | Work No.: 16 | Publisher: OUP | |
| fp: (complete) 10.1.90 Purcell Room, London. Jonathan Powell. Collected shorter piano pieces, vol. 1 | |||
| Alice 3 versions. Title: from Lewis Carroll ‘Alice in Wonderland’ |
1974-1975 | ||
| Forces: | |||
| Duration: | Work No.: 17 | Publisher: | |
| No connection with the withdrawn Incidental Music for Alice (1970). | |||
| World |
1968-1974 | ||
| Forces: 6 voices, 2fl(2pic:afl),2ob(oda:ca),2cl(ecl),2ptpt),trb,tuba,3perc.cimbalom,celesta,2pf,hp,2vn,2va,2 | |||
| Duration: 19 | Work No.: 18 | Publisher: Edition Modern | |
| ‘To Harry Halbreich.’ Commissioned by The London Sinfonietta. fp: 23.3.75 Royan Festival, France. J. Nelson, M. Thomas, J. Stickland, P. Hall, P. Knapp, W. Mason, London Sinfonietta, dir. Simon Bainbridge. Text: Mayakovsky, H_lderlin, Ri | |||
| Babylon |
1971-2001 | ||
| Forces: fl,clar,vln,vla,vcl,pno,perc | |||
| Duration: 6 | Work No.: 19 | Publisher: Composer | |
| fp: 11.9.72 Gaudeamus Music Week, Hilversum, Netherlands. Kitty Donker (mezzo), Netherlands Radio Chamber Orchestra, dir. P. Keuschnig. Text: none. Currently under revision. | |||
| Snowdrift Title: from William Sharp ‘The White Peacock’ |
1972 | ||
| Forces: solo piano | |||
| Duration: 10 | Work No.: 20 | Publisher: Edition Modern | |
| fp: 6.2.73 Wigmore Hall, London. Alexander Abercrombie. | |||
| Listen: MP3 Real Audio | |||
| Irma Cortez "Text: Composer, after ‘The Discovery and Conquest of Peru’ by Augustin Zarât |
1970-1976 | ||
| Forces: solo baritone, silent actors, bn, perc, accordion, pf, hp, vn, db. | |||
| Duration: 30 | Work No.: 21 | Publisher: Composer | |
| fp: (final version) 25.11.96 Royal Academy of Music, London. Robert Rice (bar), Manson Ensemble, dir. Composer. Original version (unperformed) included actors, no percussion. | |||
| Tsuru-Kame Title: (Japanese) ‘The Crane - The Tortoise’ |
1971-1973 | ||
| Forces: sop, 3 female voices, fl, 2perc, cel, va, 3 dancers (optional) | |||
| Duration: 22 | Work No.: 22 | Publisher: OUP | |
| ‘To Maurice Weddington.’ fp: 15.9.73 Rotterdam, Netherlands. Kitty Donker (sop); choregraphy: Richard Alston; ensemble, dir. Hans Neuburger (va). Text: Kineya Rokuzaemon X (in Japanese). Based on Noh play ‘Gekkyuden’ | |||
| View Score | |||
| Circle, Chorus and Formal Act |
1973 | ||
| Forces: baritone, 2 female choirs, chorus of 9 perc, ob(ca), 2 hn, perc | |||
| Duration: 23 | Work No.: 23 | Publisher: OUP | |
| ‘To the Students of The Place.’ fp: 5.6.73 The Place, London. Students of The Place. Text: Composer, after traditional English folk-verse. | |||
| Mysteries Parts 1-8 |
1972-1979 | ||
| Forces: voices and ensemble | |||
| Duration: 156 | Work No.: 24 | Publisher: OUP | |
| Text: Townely and other Mystery Plays, adapted by Composer, with additional Latin, old English and Gaelic texts. Based on a project called ‘Incidents from the Life of Jesus of Nazareth’ performed at The Place, 1974. | |||
| Svatovac Title: Macedonian dance. |
1973-1974 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 25 | Publisher: OUP | |
| Originally published as an arrangement in The Dancing Times. | |||
| Listen: MP3 Real Audio | |||
| Commedia dell’incomprensibile potere che alcune donne hanno sugli uomini Title: ‘Comedy of the incomprehensible power that some women have over men.’ . |
1973-1975 | ||
| Forces: sop, counter-ten, vc, harpsichord | |||
| Duration: 12 | Work No.: 26 | Publisher: Universal | |
| ‘For The Five Centuries Ensemble.’ fp: 30.6.77 Hilversum, Netherlands. Carol Plantamura (sop), John-Patrick Thomas (ctn), Marijke Verberne (vc), John Whitelaw (hpd). Text: Composer with early English anon. Taken from Genesis B: The Fall | |||
| Medea |
1973-2008 | ||
| Forces: 5 voices and orchestra (first version) | |||
| Duration: 6 | Work No.: 27 | Publisher: Composer | |
| Some material from 1st version re-used in ‘First Sign a Sharp White Moon...’ | |||
| Wild Flowers Title: from Blake ‘Auguries of Innocence’ |
1974 | ||
| Forces: 2 pianos | |||
| Duration: 12 | Work No.: 28 | Publisher: Edition Modern | |
| fp: 26.10.75 ISCM Festival: Paris, France. Katia & Marielle Labèque. | |||
| Evening |
1974 | ||
| Forces: asax, hn, tpt, perc, hp, vc, db | |||
| Duration: 11 | Work No.: 29 | Publisher: Edition Modern | |
| fp: (private) 8.4.74 Collegiate Theatre, London. For the Friends of Covent Garden; choreography: L. Seymour; London Sinfonietta, dir. A. Lawrence. fp: (public) 22.10.76 Donaueschigen, Germany. Ensemble 2e2m, dir. P. Méfano. | |||
| Forest |
1974 | ||
| Forces: instrumentalists (concealed in a forest) | |||
| Duration: | Work No.: 30 | Publisher: Composer | |
| Cipriano |
1974 | ||
| Forces: tenor, 9 voice SATB chorus (high sop, 2 sop, mez, ctn, ten, bar, 2bas) | |||
| Duration: 14 | Work No.: 31 | Publisher: Edition Modern | |
| fp: (private) 27.11.75 Birmingham. P. Hall, John Alldis Choir, dir. J. Alldis. fp: (public) 11.12.75 Wigmore Hall, London. P. Hall, John Alldis Choir, dir. J. Alldis. Text: Pedro Calderón de la Barca. | |||
| Light Matter |
1973 | ||
| Forces: male vocalist, dancers, ensemble | |||
| Duration: | Work No.: 32 | Publisher: Composer | |
| Ives - Grainger - Nancarrow |
1974-1980 | ||
| Forces: solo piano | |||
| Duration: 14 | Work No.: 33 | Publisher: Composer / Edition Modern | |
| Orfeo |
1974 | ||
| Forces: 6 voices, 3 tbn, 2 lute, perc, db (first version), revised for solo mezzo-soprano | |||
| Duration: 6 | Work No.: 34 | Publisher: Composer | |
| Text: Ovid (Book XI of Metamorphoses.’) | |||
| Bouffe |
1975 | ||
| Forces: for a person alone on stage (solo voice) | |||
| Duration: 5 | Work No.: 35 | Publisher: Composer | |
| fp: 23.8.86 Three Choirs Festival, Hereford. John Potter (ten). Text: none. Formerly published by Universal. | |||
| Piano concerto No. 1 |
1975-1984 | ||
| Forces: solo piano, pic, fl, ob, cl, bn, 2hn, 2tbn, cel, 2vn, va, vc, db | |||
| Duration: 15 | Work No.: 36 | Publisher: Edition Modern | |
| fp: (first version) 22.3.76 Composer (pf), Nouvelle Orchestre Philharmonique de Radio France, dir. Farhad Mechkat. fp: (final version) 6.12.96 Royal College of Music, London. Ian Pace (pf), 20th Century Ensemble, dir. Edwin Roxburgh. Substantial rev | |||
| Offshore |
1975-1976 | ||
| Forces: 3.3.3.3/4.3.3.1/3 perc,harpsichord,pf,2 harps/12.0.10.8.6 | |||
| Duration: 11 | Work No.: 37 | Publisher: Universal | |
| fp: 13.9.82 Barbican Centre, London. Philharmonia Orchestra, dir. Oliver Knussen. | |||
| Ru Tchou Title: Chinese ‘The Ascent of The Sun’ |
1975 | ||
| Forces: solo drummer | |||
| Duration: 9 | Work No.: 38 | Publisher: OUP | |
| ‘For Loong-Hsing Wen.’ fp: 9.5.76 Taipei, Tawain. Tetsu Kitano. | |||
| Piano Concerto No. 2 |
1975-1976 | ||
| Forces: solo piano, 2 alto flutes, 3vn, 2va, 2vc, 2db | |||
| Duration: 14 | Work No.: 39 | Publisher: Edition Modern | |
| Commande de la Ministère de la Culture et de l’Environnement. fp: 15.7.77 Saintes, France. Jaqueline Méfano (pf), Ensemble 2e2m, dir. P. Méfano. | |||
| First Sign A Sharp White Moon, as if the cause of Snow Title: from John Birtwistle’s poem. |
1968-1975 | ||
| Forces: solo alto flute | |||
| Duration: 4 | Work No.: 40 | Publisher: Tre Media | |
| fp: 4.6.88 Brighton Festival. Isabelle Carré. Music taken from Medea. Original version for piano and 14 instruments. | |||
| View Score | |||
| Pathways of Sun and Stars Title: relates to leylines and magic squares. |
1976 | ||
| Forces: 2pic, ob, 2cl, bn, 3hn, 3tpt, 3tbn, 5perc, 2harp, vn, va, vc, db | |||
| Duration: 20 | Work No.: 41 | Publisher: Edition Modern | |
| Commissioned by the BBC. fp: 15.11.76 Round House, London. BBC SO, dir. Pierre Boulez. | |||
| Jazz |
1976 | ||
| Forces: solo piano | |||
| Duration: 5 | Work No.: 42 | Publisher: OUP | |
| fp: 22.6.78 Middelburg, Netherlands. Geoffrey Douglas Madge. Part of trilogy with Boogie-Woogie & Fast Dances, Slow Dances. Structurally based on Beethoven Bagatelles Op. 126. | |||
| Mr Punch |
1976-1979 | ||
| Forces: speaker, fl, ob or cl, perc, pf, vn or vc | |||
| Duration: 21 | Work No.: 43 | Publisher: Universal | |
| fp: 1979 Suoraan. | |||
| All the trees they are so high Title: English folk song. |
1977 | ||
| Forces: solo violin | |||
| Duration: 5 | Work No.: 44 | Publisher: OUP | |
| fp: 26.4.78 Paris, France. Daniel Rémy. | |||
| Doves Figary (2 versions) |
1976-1977 | ||
| Forces: solo cello | |||
| Duration: 7 | Work No.: 45 | Publisher: Composer | |
| ‘For Alan Brett.’ fp: (second version) 11.11.81 Air Gallery, London. Alan Brett. Based on ‘Doves Figary’ or ‘Chestnut’ the 85th tune in Playford’s English Dancing Master. | |||
| View Score Listen: MP3 Real Audio | |||
| Lost Lands |
1977 | ||
| Forces: eflat cl, ssax, pf, gui, vn | |||
| Duration: 20 | Work No.: 46 | Publisher: Edition Modern | |
| ‘For Klaus Ager and the Oesterreichische Ensemble.’ fp: 13.10.77 Graz, Austria. Oesterreichische Ensemble, dir. Klaus Ager. Title: from Claude Lévi-Strauss ‘Tristes Tropiques’ | |||
| Listen: MP3 Real Audio | |||
| Three Dukes went a-Riding Title: derived from several English folk songs. |
1977-1996 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 47 | Publisher: OUP | |
| fp: (revised version) 28.6.96 Conway Hall, London. Ian Pace. Originally 3rd of Piano Studies. | |||
| Listen: MP3 Real Audio | |||
| English Country-Tunes "8 sections, performable separately" |
1977-1985 | ||
| Forces: solo piano | |||
| Duration: 52 | Work No.: 48 | Publisher: UMP. Formerly published by Universal (first version). | |
| fp: First complete performance: 18.12.79 BMIC, London. Composer. fp: (final version) 13.2.86 BMIC, London. Composer. Original version written ‘in celebration of the Silver Jubilee of Her Majesty Queen Elizabeth II, in 1977’ Revisions in | |||
| all.fall.down Title: from nursery rhyme ‘Ring-a-ring o’ roses’ |
1977 | ||
| Forces: solo piano | |||
| Duration: 8 | Work No.: 49 | Publisher: OUP | |
| ‘To Klaus Huber; Howard Skempton; Alvin Singleton.’ fp: 10.10.77 Freiburg-im-Breisgau, Germany. Composer. all. ‘To Klaus Huber’; fall. ‘To Howard Skempton’; down. ‘To Alvin Singleton’ | |||
| Mine Eye Awake |
1977 | ||
| Forces: lyric soprano, piano | |||
| Duration: 6 | Work No.: 50 | Publisher: Universal | |
| ‘To Elisabeth Lutyens.’ fp: 23.1.78 Harrogate Theatre, Harrogate. Elaine Barry (sop)’ composer (pf). Text: William Shakespeare Sonnet 61. | |||
| To & Fro |
1978-1995 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 51 | Publisher: OUP | |
| fp: 17.2.78 Hilversum, Netherlands. Composer (studio recording)’ broadcast 7.3.78. fp: (final version) 29.2.96 Conway Hall, London. Ian Pace. Original version 6th of Piano Studies. Final version is different piece. | |||
| Tom Fool’s Wooing |
1975-1978 | ||
| Forces: 14 voices: high soprano, 3 sopranos, mezzo-soprano, 2 contraltos, counter-tenor, 2 tenors, 2 b | |||
| Duration: 20 | Work No.: 52 | Publisher: Universal | |
| Written for the John Alldis Choir. fp: Unperformed (1996) Text: English, Rumanian, Turkish & Greek folk poetry, Ibycus’ Edmund Spenser. | |||
| Ohi! ohi! ohi! |
1978 | ||
| Forces: solo voice | |||
| Duration: 5 | Work No.: 53 | Publisher: OUP | |
| ‘For Josephine Nendick.’ fp: 21.1.82 Purcell Room, London. J. Nendick (mez). Text: none. | |||
| Runnin’ Wild Title: Jazz standard. |
1978 | ||
| Forces: solo oboe or saxophone or clarinet or bass clarinet. | |||
| Duration: 8 | Work No.: 54 | Publisher: Tre Media | |
| ‘To Christopher Redgate.’ fp: 20.7.80 South Hill Park, Bracknell. Christopher Redgate (ob). | |||
| Listen: MP3 Real Audio | |||
| Kemp’s Morris |
1978 | ||
| Forces: solo piano (pianist wearing Morris-bells) | |||
| Duration: 5 | Work No.: 55 | Publisher: OUP | |
| fp: 19.11.81 Oxford University. Composer. Based on 26th melody of Playford’s ‘English Dancing Master’ (1651) sometimes called ‘The cherping of the larke’ or ‘Muscadin’ Collected shorter piano pieces, vol. 1& | |||
| Listen: MP3 Real Audio | |||
| Mountainfall |
1978 | ||
| Forces: solo mezzo-soprano | |||
| Duration: 8 | Work No.: 56 | Publisher: OUP | |
| ‘To Kris Donovan.’ Commissioned by Josephine Nendick. fp: 22.1.79 Wigmore Hall, London. J. Nendick (mez). Text: none. | |||
| Piano Concerto No. 3 |
1978 | ||
| Forces: solo piano, ob(ca), cl(bcl), 2tbn, vc, db | |||
| Duration: 23 | Work No.: 57 | Publisher: Universal | |
| ‘To Geoffrey Douglas Madge.’ fp: 5.7.79 Middelburg, Netherlands. G. D. Madge (pf), Netherlands Radio CO, dir. Ernest Bour. | |||
| Goro Title: (Japanese) - name. |
1978 | ||
| Forces: tenor, fl, cl, hp, vn, va, vc | |||
| Duration: 20 | Work No.: 58 | Publisher: Universal | |
| Commissioned by the Bath Festival. fp: 23.5.79 Bath Festival. Alastair Thomson (ten), Nash Ensemble. Text: Kineya Rokuzaemon X. | |||
| We’ll get there someday |
1978 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 59 | Publisher: OUP | |
| fp: 6.1.79 Amsterdam, Netherlands. Composer. Originally 5th of ‘Piano Studies’ | |||
| Sir Tristran Title: after medieval poem. |
1978 | ||
| Forces: soprano, clarinet, piano, violin, viola, cello | |||
| Duration: 20 | Work No.: 60 | Publisher: Universal | |
| Commissioned by the Nash Ensemble. fp: 15.12.80 St John’s Smith Square, London. P. Walmsley-Clark (sop), Circle, dir. Gregory Rose. Text: Malory, Beroul, T. d’Angleterre, M. de France. | |||
| Fast Dances, Slow Dances |
1978-1979 | ||
| Forces: solo piano | |||
| Duration: 18 | Work No.: 61 | Publisher: OUP | |
| ‘To Elliott Carter.’ Commissioned by Junction Dance Company. fp: 23.4.79 North London Polytechnic. Composer. Part of trilogy with Jazz and Boogie Woogie. Structurally based on Beethoven Bagatelles Op 119. | |||
| Short but... |
1979 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 62 | Publisher: OUP | |
| fp: 11.79 North London Polytechnic. Composer. Collected shorter piano pieces, vol. 1 | |||
| Listen: MP3 Real Audio | |||
| Alongside |
1979 | ||
| Forces: 1111/1110/perc/pf/str(1.1.1.1.1) | |||
| Duration: 19 | Work No.: 63 | Publisher: Universal | |
| Commissioned by the London Sinfonietta. fp: 19.2.80 St John’s Smith Square, London. London Sinfonietta, dir. Roland Zollman. Title of printed edition: alongside [sic]. | |||
| Kagami-Jishi Title: (Japanese) - ‘Mirror of Lion Spirit’ |
1979 | ||
| Forces: flute, harp | |||
| Duration: 11 | Work No.: 64 | Publisher: OUP | |
| Commissioned by Marianne Erhardt. fp: 2.1.80 Purcell Room, London. M. Erhardt (fl), Susan Drake (hp). | |||
| Piano Concerto No. 4 |
1978-1996 | ||
| Forces: solo piano | |||
| Duration: 20 | Work No.: 65 | Publisher: Composer | |
| (first version) ‘To Brian Ferneyhough.’ (second version) ‘To Ian Pace.’ fp: 30.4.80 Logan Hall, London University. Composer. fp: (revised version) 4.10.96 Conway Hall, London. Ian Pace. Final version includes material from Lo | |||
| Listen: MP3 Real Audio | |||
| Pavasiya - Sikangnuqa - Talawva |
1979 | ||
| Forces: various | |||
| Duration: 24 | Work No.: 66 | Publisher: Composer | |
| ... fairest noonday ... |
1979 | ||
| Forces: tenor, piano | |||
| Duration: 8 | Work No.: 67 | Publisher: OUP | |
| ‘To Martyn Hill.’ Commissioned by the BBC. fp: 5.3.80 Leeds University. Martyn Hill (ten), John Constable (pf). Text: Friedrich Hölderlin (in German). | |||
| Hinomi Title: (Japanese) - ‘The Fire Watch-Tower’ |
1979 | ||
| Forces: solo percussion | |||
| Duration: 8 | Work No.: 68 | Publisher: UMP | |
| Commissioned by Nottingham University for Elizabeth Davis. fp: 9.6.80 Nottingham University. E. Davis. | |||
| Sea and Sky |
1979-1980 | ||
| Forces: 4(2pic)3.2(2ecl)2(cbn)/4.4(4ptpt)3.1/timp.4perc/2cel.2hp/str: (10.10.10.8.8) | |||
| Duration: 22 | Work No.: 69 | Publisher: Universal | |
| Commissioned by The London Philharmonic Orchestra. fp: 16.5.80 RFH, London. London Philharmonic, dir. Elgar Howarth. Title: after Turner watercolour of same name. | |||
| Boogie-Woogie |
1980-1996 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 70 | Publisher: OUP | |
| ‘To Roger Wright.’ fp: 16.7.80 Arezzo, Italy. Composer. fp: (second version) 2.2.81 BMIC, London. Composer. fp: (third version) 10.4.85 BMIC, London. Composer. fp: (final version) 29.2.96 Conway Hall, London. Ian Pace. Part of trilogy wi | |||
| Freightrain Bruise |
1972-1980 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 71 | Publisher: OUP | |
| ‘For Charlotte Holtzermann.’ fp: 1972 The Place, London. Composer. fp: (final version) 10.5.86 Brighton Festival. Composer. Substantial revision in 1980. | |||
| Listen: MP3 Real Audio | |||
| Piano Concerto No. 5 |
1980 | ||
| Forces: solo piano, mezzo-soprano, fl(afl), ob(oda), vib | |||
| Duration: 22 | Work No.: 72 | Publisher: Composer | |
| (separate parts, no score) Commissioned by Suoraan. fp: 19.8.80 Dartington, Devon. Composer (pf), Suoraan. Text: none. | |||
| Moon’s goin’ down Title: Jazz standard. |
1980 | ||
| Forces: any solo wind instrument or voice (range 1.5 octaves) | |||
| Duration: 4 | Work No.: 73 | Publisher: Tre Media | |
| ‘For John Potter.’ Commissioned by John Potter. fp: 13.4.81 BMIC, London. Christopher Redgate (oboe). Text: none. | |||
| Listen: MP3 Real Audio | |||
| Lord Melbourne |
1980 | ||
| Forces: soprano, clarinet, piano | |||
| Duration: 12 | Work No.: 74 | Publisher: Universal | |
| ‘For the Arioso Trio.’ Commissioned by the Worfield Charity Concert Trust. fp: 25.9.82 Rudge Hall, Pattingham. Lynda Russell (sop), David Campbell (cl), Andrew Ball (pf). Text: none. Based on English folk-song (as transcribed by Grainger | |||
| Green Bushes Title: English folk-song |
1980 | ||
| Forces: contralto, piano | |||
| Duration: 12 | Work No.: 75 | Publisher: OUP | |
| Commissioned by Barbara and Alexander Abercrombie. fp: 17.12.81 BMIC, London. Josephine Nendick (mez), composer (pf). Text: English traditional, adapted by composer. Formerly published by Universal. | |||
| Piano Concerto No. 6 |
1980-1981 | ||
| Forces: solo piano | |||
| Duration: 12 | Work No.: 76 | Publisher: Composer | |
| fp: 22.5.81 BMIC, London. Composer. | |||
| Nobody’s Jig |
1980-1981 | ||
| Forces: string quartet: 2 violins, viola, cello | |||
| Duration: 20 | Work No.: 77 | Publisher: Composer | |
| 4 independent parts: no score. Commissioned by South Hill Arts Centre, Bracknell. fp: 28.1.81 South Hill Park, Bracknell. Locrian String Quartet. Title: a melody from Playford’s ‘English Dancing Master’ (1651) | |||
| View Score Listen: MP3 Real Audio | |||
| Liz ‘Birthday Gift for Elisabeth Lutyens.’ |
1980-1981 | ||
| Forces: solo piano | |||
| Duration: 1 | Work No.: 78 | Publisher: OUP | |
| fp: 6.3.81 BMIC, London. Composer. Collected shorter piano pieces, vol. 2 | |||
| Piano Concerto No. 7 |
1981 | ||
| Forces: solo piano, wind quintet: flute, oboe, clarinet, bassoon, horn | |||
| Duration: 11 | Work No.: 79 | Publisher: Composer | |
| 6 independent parts: no score. fp: 20.6.81 Greenwich Festival. Composer (pf), members of Heath Orchestra Wind Ensemble. | |||
| View Score | |||
| Kelir Title: (Javanese) - ‘Curtain’ (projection-curtain for Wayang shadow-puppet plays). |
1981 | ||
| Forces: 6 voices: 2 sopranos, contralto, tenor, baritone, bass | |||
| Duration: 17 | Work No.: 80 | Publisher: Composer | |
| Commissioned by The London Sinfonietta. fp: 2.11.82 St John’s Smith Square, London. London Sinfonietta Voices, dir. Terry Edwards. Text: Javanese traditional. | |||
| Free Setting |
1981-1995 | ||
| Forces: solo piano | |||
| Duration: 8 | Work No.: 81 | Publisher: Composer | |
| ‘To Sue Davies.’ Commissioned by London Contemporary Dance Theatre. fp: 15.10.81 Warwick University. Eleanor Alberga. fp: (final version) 19.1.96 Holywell Music Room, Oxford. Nicolas Hodges. | |||
| Jiseï Title: (Japanese) - ‘Aerial spirit’ |
1981 | ||
| Forces: solo cello, flute, oboe, perc, piano, viola | |||
| Duration: 9 | Work No.: 82 | Publisher: Composer | |
| fp: 15.9.81 Como, Italy. Alexander Baillie (vc), Koenig Ensemble, dir. Jan Latham-Koenig. | |||
| View Score | |||
| Reels |
1980-1981 | ||
| Forces: solo piano | |||
| Duration: 8 | Work No.: 83 | Publisher: UMP | |
| ‘To Judith Weir.’ fp: 4.10.81 Guildhall School of Music and Drama, London. Composer; choreographed and danced by Kris Donovan. fp: (final version) 30.11.81 composer. Based on traditional Scottish bagpipe-melodies (piobaireachd). | |||
| Listen: MP3 Real Audio | |||
| White Rain |
1981 | ||
| Forces: solo piano | |||
| Duration: 5 | Work No.: 84 | Publisher: Composer | |
| fp: 10.11.88 Surrey University, Guildford. Composer. Title: from print by Hiroshige. | |||
| View Score | |||
| Duru-Duru Title: (Sardinian) - ‘Around-around’ |
1981 | ||
| Forces: mezzo-soprano, flute, perc, piano | |||
| Duration: 9 | Work No.: 85 | Publisher: OUP | |
| ‘To James and Catia Clarke.’ fp: 21.1.82 Purcell Room, London. Josephine Nendick (mez), Suoraan, dir. James Clarke. Text: Sardinian folk poem. | |||
| View Score | |||
| Stomp Title: traditional Jazz term. |
1981 | ||
| Forces: solo piano-accordion | |||
| Duration: 9 | Work No.: 86 | Publisher: Composer | |
| ‘For Mario Conway.’ Commissioned by the Park Lane Group. fp: 7.1.82 Purcell Room, London. M. Conway. | |||
| View Score | |||
| Andimironnai Title: (Sardinian) - one of the formal poetic conventions of traditional Sardinian verse. |
1981 | ||
| Forces: solo cello | |||
| Duration: 9 | Work No.: 87 | Publisher: UMP | |
| ‘For Timothy Hugh.’ fp: 24.2.82 St Bartholomew’s Festival, London. T. Hugh. | |||
| Keroiylu Title: (Azerbaijan) - heroic folk-dance. |
1981 | ||
| Forces: oboe, bassoon, piano | |||
| Duration: 8 | Work No.: 88 | Publisher: Tre Media | |
| Commissioned by the City of London Trio. fp: 15.1.92 St John’s Smith Square, London. City of London Trio: Gillian Carter (ob), Frances Eustace (bn), Richard Graves (pf). | |||
| Listen: MP3 Real Audio | |||
| Yalli Title: (Kurdish) - folk round-dance. |
1981 | ||
| Forces: solo cello | |||
| Duration: 10 | Work No.: 89 | Publisher: Composer | |
| fp: 30.3.82 BMIC, London. Alan Brett. | |||
| View Score | |||
| Terekkeme Title: (Azerbaijan) - lively and impulsive (solo) folk-dance. |
1981-1990 | ||
| Forces: solo harpsichord or piano | |||
| Duration: 5 | Work No.: 90 | Publisher: OUP | |
| ‘For Anne de Buck.’ fp: 14.11.91 Purcell Room, London. Jane Chapman (hps). | |||
| View Score Listen: MP3 Real Audio | |||
| Verdi Transcriptions "15 Transcriptions and 3 optional fragments, may be performed separately" |
1972-2005 | ||
| Forces: solo piano | |||
| Duration: 180 | Work No.: 91 | Publisher: UMP | |
| fp: (private) 1.11.86 Finsbury Park, London. Composer (1-9). fp: (public) 30.6.88 Union Chapel, Almeida Festival, London. J. Clapperton (1-9, 15); composer (10-14). fp: (complete with 1995 revisions and fragments) 26.1.96 Conway Hall, London. Ian Pa | |||
| Listen: MP3 Real Audio | |||
| Warara Title: (Australian Aboriginal) - ‘Red Ochre’ |
1982-1991 | ||
| Forces: soprano, flute, clarinet, percussion, violin, cello | |||
| Duration: 9 | Work No.: 92 | Publisher: OUP | |
| ‘To Richard and Valérie Hames, Ben, Rachael, Toby and Jessica.’ fp: 29.5.82 Victoria College, Melbourne, Australia. Victorian Time Machine, dir. Richard David Hames. [tenor, flute, clarinet, 2 percussion]. fp: (final version) Ixio | |||
| Aijal Title: (Australian Aboriginal) - ‘Sky.’ |
1982 | ||
| Forces: flute, oboe, percussion | |||
| Duration: 7 | Work No.: 93 | Publisher: Composer | |
| ‘To John Hopkins.’ fp: 18.4.82 Melbourne, Australia. Victoria Time Machine, dir. Richard David Hames. | |||
| View Score | |||
| Banumbirr Title: (Australian Aboriginal) - ‘Morning Star’ |
1982-1986 | ||
| Forces: flute, clarinet, piano, violin, cello | |||
| Duration: 9 | Work No.: 94 | Publisher: UMP | |
| ‘To Robert and Merryn Smallwood.’ fp: 16.5.82 University of Melbourne, Australia. K. Duffell (fl)’ A. Stevenson (cl), P. Carrington (vn), J. Fletcher (vc), composer (pf)’ dir. R. Smallwood. fp: (final version) 22.11.86 Hudder | |||
| Teangi Title: (Australian Aboriginal) - ‘Flowering Earth’ Originally entitled Tya. |
1982 | ||
| Forces: fl(pic), ca, ecl, cl, cbn, 2tpt, perc, vib, cel, vn | |||
| Duration: 6 | Work No.: 95 | Publisher: Composer | |
| fp: 28.5.94 Royal Academy of Music, London. Manson Ensemble, dir. Composer. | |||
| Marrngu Title: (Australian Aboriginal) - mythical possum. |
1982 | ||
| Forces: solo E flat clarinet | |||
| Duration: 8 | Work No.: 96 | Publisher: Tre Media | |
| ‘To Lawrence Dobell.’ fp: 28.11.94 Brighton Festival. Andrew Smith. | |||
| View Score | |||
| Nasiye Title: (Kurdish) - folk-dance. |
1982 | ||
| Forces: solo guitar | |||
| Duration: 8 | Work No.: 97 | Publisher: Composer | |
| ‘To Gerald Garcia.’ fp: 22.10.82 Royal Tunbridge Wells, Kent. G. Garcia. | |||
| View Score | |||
| Mississippi Hornpipes |
1982-1997 | ||
| Forces: piano, violin | |||
| Duration: 10 | Work No.: 98 | Publisher: Composer | |
| ‘For Roger Garland.’ fp: 27.1.83 BMIC, London. Roger Garland (vn), composer (pf). fp (final version): 1.5.97 BMIC, London. Rebecca van der Post (vn), Ian Pace (pf). Revised version has different first page. | |||
| View Score | |||
| Dilok Title: (Kurdish) - ‘dance music’ or ‘entertainment music’ |
1982 | ||
| Forces: oboe, percussion | |||
| Duration: 10 | Work No.: 99 | Publisher: UMP | |
| ‘For Christopher Redgate and John Harrod.’ fp: 21.6.83 Melbourne, Australia. C. Redgate (ob), Paul Sarcich (perc) | |||
| Listen: MP3 Real Audio | |||
| Gerhana Title: (Javanese) - ‘Blessed by the Gods’ |
1981-1982 | ||
| Forces: solo percussion | |||
| Duration: 12 | Work No.: 100 | Publisher: Composer | |
| ‘For James Wood.’ fp: 19.11.82 Royal Tunbridge Wells, Kent. James Wood. | |||
| Anninnia Title: (Sardinian) - ‘Lullaby’Text: Sardinian folk poetry. |
1981-1982 | ||
| Forces: soprano, piano | |||
| Duration: 11 | Work No.: 101 | Publisher: Composer | |
| ‘For Elaine Barry.’ fp: 27.11.85 Huddersfield Festival. Jane Manning (sop), David Mason (pf). | |||
| View Score | |||
| Independence Quadrilles |
1982-1995 | ||
| Forces: piano trio: piano, violin, cello | |||
| Duration: 8 | Work No.: 102 | Publisher: OUP | |
| Independent parts. ‘To Andrew Toovey.’ fp: (1983 version) 1983 Ensemble Exposé ob, pf, vn, vc. fp: (1986 version) 9.86 Pittsburg USA, fl, ob, pf. fp: (1988 version) 28.5.88 Brighton Festival. Isabelle Carré (fl)’, Joh | |||
| Cirit Title: (Kurdish) - dance of warriors. |
1982 | ||
| Forces: clarinet in C | |||
| Duration: 7 | Work No.: 103 | Publisher: Composer | |
| ‘For Philip Edwards.’ Commisssioned by Philip Edwards. fp: 6.12.82 Purcell Room, London. | |||
| View Score | |||
| Whitman |
1980-2005 | ||
| Forces: mezzo soprano plus accompaniment | |||
| Duration: 65 | Work No.: 104 | Publisher: OUP | |
| fp: (1st version) 8.3.93 Purcell Room, London. J Nendick (mez)’ Suoraan. fp: (2nd version) 19.5.83 BMIC, London. Jane Ginsburg (sop), George Nicholson (pf). Two earlier versions (1st for mezzo-soprano, fl(afl), ob(ca,oda)’ perc; 2nd for | |||
| Uzundara |
1983 | ||
| Forces: clarinet in B-flat | |||
| Duration: 9 | Work No.: 105 | Publisher: Composer | |
| ‘For Robert Schuck.’ fp: 28.4.83 BMIC, London. R. Schuck. | |||
| Ouraa Title: (Australian Aboriginal) - ‘Wood’ |
1982-1983 | ||
| Forces: pic, cl, bsn, hn, tpt, tbn, perc, vn, va, vc, db | |||
| Duration: 9 | Work No.: 106 | Publisher: Composer | |
| fp: 2.2.86 Almeida Theatre, London. Music Projects/London, dir. Richard Bernas | |||
| View Score | |||
| Sepevi Title: (Azerbaijan) - folk-dance in triple time. |
1982-1983 | ||
| Forces: solo double bass | |||
| Duration: 9 | Work No.: 107 | Publisher: Composer | |
| ‘For Bert Turetzky.’ fp: 1995 or 96, Corrado Canonici. | |||
| View Score | |||
| Vaudeville |
1983-1987 | ||
| Forces: 2 singers and ensemble | |||
| Duration: 45 | Work No.: 108 | Publisher: UMP | |
| ‘To Oliver Knussen.’ Commissioned by the Vale of Glamorgan Festival. fp: 30.8.83 Vale of Glamorgan Festival. Mary King (mez), John Rath (bar), Music Projects/London, dir. Richard Bernas. Text: Walt Whitman, nursery rhymes, H. M. Milner, | |||
| Le Lay de la Fonteinne "Guillaume de Machaut, arranged and edited by Michael Finnissy" |
1983-1990 | ||
| Forces: mezzo-soprano, fl(pic), oboe, vib or pf | |||
| Duration: 22 | Work No.: 109 | Publisher: OUP | |
| fp: 29.10.83 Purcell Room, London. Suoraan. fp: (final version) 9.6.90, Greenwich Festival. Virginia de Ledesma (sop), Focus, dir. Composer. | |||
| Ulpirra Title: (Australian Aboriginal) - ‘Token of friendship.’ |
1982-1983 | ||
| Forces: solo bass flute | |||
| Duration: 4 | Work No.: 110 | Publisher: Tre Media | |
| ‘For Nancy Ruffer.’ fp: 18.6.83 Purcell Room, London. N. Ruffer. | |||
| View Score | |||
| Hikkai Title: (Australian Aboriginal) - ‘Immediately!’ |
1982-1983 | ||
| Forces: solo piano | |||
| Duration: 5 | Work No.: 111 | Publisher: Composer | |
| fp: 11.9.83 Sydney University, Australia. Composer. | |||
| View Score | |||
| Botany Bay Text: based on an Australian colonial folk-song. |
1983-1989 | ||
| Forces: mezzo-soprano, flute, oboe or clarinet | |||
| Duration: 4 | Work No.: 112 | Publisher: Composer | |
| fp: 1.10.83 Ballarat, Victoria, Australia. Jeannie Marsh (mez), Rachele Skinner (fl), Jane Robertson (cl). fp: (final version) 18.5.89 BMIC, London. Ixion (version with clarinet). | |||
| Australian Sea Shanties |
1983 | ||
| Forces: | |||
| Duration: 22 | Work No.: 113 | Publisher: UMP, OUP | |
| The Eureka Flag Title: Australian flag of independence (16th century). |
1983 | ||
| Forces: solo piccolo | |||
| Duration: 4 | Work No.: 114 | Publisher: Composer | |
| ‘For Derek Jones.’ fp: 17.6.84 Melbourne University, Australia. D. Jones. | |||
| View Score | |||
| Soda Fountain Title: O. Wilde, A. C. Doyle, Giesecke, Schikaneder, Illica’ Wagner, E. Bronte, Haym, J. |
1983 | ||
| Forces: soprano, mezzo-soprano, contralto, tenor | |||
| Duration: 20 | Work No.: 115 | Publisher: Composer | |
| ‘For Victoria Watson, Sandra Oldis, Jeannie Marsh & Christopher Bogg.’ fp: 23.3.84 Victoria College, Melbourne, Australia. V. Watson (sop), S. Oldis (mez), J. Marsh (alt), C. Bogg (ten). | |||
| Ngano Title: (Venda) - evening song. Text: traditional Venda. |
1983-1984 | ||
| Forces: mezzo-soprano, tenor, double SATB chorus, flute, 2 percussion | |||
| Duration: 18 | Work No.: 116 | Publisher: UMP | |
| Commissioned by the BBC. fp: 12.6.84 QEH, London. J. Bingham (mez), N. Mackenzie (ten), BBC Singers, S. Bell, J. Holland, D. Johnson, dir. Diego Masson. | |||
| Câtana Title: (Rumanian) - ‘Chain’ |
1984 | ||
| Forces: fl, ob, cl, perc, pf, hp, vn, va, vc | |||
| Duration: 16 | Work No.: 117 | Publisher: UMP | |
| fp: 8.3.85 Wyndham School, Egremont, Cumbria. Uroboros Ensemble, dir. Composer. | |||
| Haiyim |
1984 | ||
| Forces: SATB chorus (minimum 12 voices), 2 cellos | |||
| Duration: 15 | Work No.: 118 | Publisher: UMP | |
| fp: 14.11.85 Rosslyn Hill, London. BBC Singers, dir. Simon Joly. Title: (Hebrew) - ‘Peace’ Text: from Psalms 24, 23, 6, 133, 19, 122 (in Hebrew). | |||
| Delal Title: (Kurdish) - ‘courtly’, ‘art’ or ‘beautiful’ music.& |
1984-1988 | ||
| Forces: oboe d’amore, percussion | |||
| Duration: 9 | Work No.: 119 | Publisher: Composer | |
| Commissioned by Jonathan Impett. fp: 29.11.84 Purcell Room, London. Jonathan Impett (tpt), Michael Blake (pf). fp: (final version) 12.8.88 Speier Cathedral, Germany. Christopher Redgate (oboe d’amore), Elizabeth Davis (perc). Original version | |||
| View Score | |||
| Lyrics and Limericks Title: Ten songs arranged as an acrostic on Edward Lear’s name. |
1982-1984 | ||
| Forces: voice, piano | |||
| Duration: 10 | Work No.: 120 | Publisher: OUP | |
| ‘To Jeannie Marsh.’ fp: 6.6.85 BMIC, London. Sue Anderson (mez), composer (pf). (The songs may not be performed separately.) | |||
| View Score | |||
| Celi Title: (Latin) - ‘Of Heaven’ |
1984-1997 | ||
| Forces: 2 high sopranos, 3 fl, 3 vla, 2 harps | |||
| Duration: 15 | Work No.: 121 | Publisher: UMP | |
| original version, 2 high sopranos, flute, oboe, trombone’ percussion, double bass fp: 24.10.85 IRCAM, Paris, France. Penelope Walmsley-Clarke, Sarah Leonard (sop), Ensemble Intercontemporain, dir. Ronald Zollman. Text: Hildegard of Bingen (in | |||
| String Quartet |
1984 | ||
| Forces: string quartet: 2 violins, viola, cello | |||
| Duration: 20 | Work No.: 122 | Publisher: UMP | |
| ‘For the Arditti Quartet.’ Commissioned by the Arditti Quartet. fp: 21.11.85 Huddersfield Festival. | |||
| Listen: MP3 Real Audio | |||
| Cabaret Vert Title: from poem by Rimbaud (French) - ‘Green Inn Cabaret’ |
1985 | ||
| Forces: mezzo-soprano, flute, cor anglais, percussion | |||
| Duration: 10 | Work No.: 123 | Publisher: Composer | |
| fp: 11.5.85 ORTF, Paris, France. J. Nendick (mez), N. Ruffer (fl)’ J. Harrod (perc), C. Redgate (ob), dir. Roger Redgate. All poems refer to the colour green. Text: Rumanian folk poetry. | |||
| View Score | |||
| above earth's shadow... Title: from William Blake ‘The Marriage of Heaven and Hell’ |
1985 | ||
| Forces: solo violin, fl/picc, cl, vln, vla, vcl, db | |||
| Duration: 18 | Work No.: 124 | Publisher: UMP | |
| fp: 22.11.85 Huddersfield Festival. Irvine Arditti (vn), Spectrum, dir. Guy Protheroe. Material taken from Long Distance (withdrawn). | |||
| East London Heys 3 Sets (Total of 9 separate pieces) |
1985-1986 | ||
| Forces: string quartet or string orchestra plus version for wind quintet | |||
| Duration: 40 | Work No.: 125 | Publisher: UMP | |
| G.F.H. and B.S. 2 pieces: may be performed together or separately |
1985-1986 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 126 | Publisher: OUP | |
| Collected shorter piano pieces, vol. 1 | |||
| Contretänze |
1985-1986 | ||
| Forces: fl, ob, cl, perc, vln, vc | |||
| Duration: 17 | Work No.: 127 | Publisher: UMP | |
| ‘To Tom Morgan.’ Commissioned by Elms Concerts for Circle. fp: 1.2.86 Almeida Theatre, London. Circle, dir. Gregory Rose. fp: (final version) 18.7.86 Darmstadt, Germany. Ensemble Expos_. Revised version has an additional Ländler sec | |||
| Taja Title: (Sardinian) - tenor part in Sardinian religious music. |
1986 | ||
| Forces: solo piano | |||
| Duration: 5 | Work No.: 128 | Publisher: OUP | |
| fp: 29.1.87 BMIC, London. Robert Keeley. Collected shorter piano pieces, vol. 1 | |||
| String Trio |
1986 | ||
| Forces: string trio: violin, viola, cello | |||
| Duration: 30 | Work No.: 129 | Publisher: UMP | |
| Commissioned by the Gagliano Trio. fp: 30.10.86 Royal Tunbridge Wells, Kent. Gagliano Trio. Based on material from Mahler, Symphony No. 9. | |||
| Catchpenny Rhymes |
1986 | ||
| Forces: | |||
| Duration: | Work No.: 130 | Publisher: Composer | |
| fp: (second version ) 13.5.89 Brighton Festival. Mary Wiegold (sop), Composers Ensemble, dir. Composer. Text: Traditional English nursery rhymes. Two earlier versions (1st: 9 songs for voice and piano; 2nd: songs 2, 3, & 9, for soprano, viola an | |||
| The Undivine Comedy Opera in 17 scenes |
1985-1989 | ||
| Forces: sop, mez, ten, 2bar, 2fl(pic,afl), 2ob(ca), cl(ecl,bcl), 2perc, elec org(cel), vn, va, vc" | |||
| Duration: 114 | Work No.: 131 | Publisher: OUP | |
| fp: 14.5.88 Theatre de la Bastille, Paris, France. Pauline Vaillancourt, Mary King, Nigel Robson, Richard Jackson, Richard Morris, Ensemble Exposé, dir. Composer. Text: composer, after the play by Z. Krasinski, with additional material from H | |||
| Gershwin Arrangements 13 pieces: may be performed separately |
1975-1988 | ||
| Forces: solo piano | |||
| Duration: 40 | Work No.: 132 | Publisher: OUP | |
| fp: first complete performance, 30.6.88 Union Chapel, Almeida Festival, London. Composer (nos. 1,5,7,9-13), James Clapperton (nos. 1-4’ 6 & 8). 2 Books: 1-7; 8-13. Based on songs by George Gershwin. | |||
| Listen: MP3 Real Audio | |||
| Red Earth |
1987-1988 | ||
| Forces: 3303/0330/2didjeridus/4perc, 2timp/2hp/strings | |||
| Duration: 20 | Work No.: 133 | Publisher: OUP | |
| ‘To Barrie Gavin.’ Commissioned by the BBC. fp: 2.8.88 Royal Albert Hall, London. BBC SO, dir. Lothar Zagrosek. BBC Henry Wood Promenade Concert. | |||
| Listen: MP3 Real Audio | |||
| Quabara Title: (Australian Aboriginal) - ceremonial chant. |
1988 | ||
| Forces: didjeridu, junk percussion | |||
| Duration: 9 | Work No.: 134 | Publisher: OUP | |
| fp: 14.6.88 Holland Festival, Netherlands. Barrie Webb (didjeridu), Elizabeth Davis (perc). | |||
| Beuk o’Newcassel Sangs |
1988 | ||
| Forces: soprano, clarinet, piano | |||
| Duration: 12 | Work No.: 135 | Publisher: OUP | |
| Commissioned by Tapestry. fp: 16.2.89 Newcastle University. Tapestry. Text: traditional Newcastle folk-songs, from A beuk o’Newcassel Sangs, collected by Joseph Crawhall (1888). | |||
| Lylyly li Title: imitated from Joseph Beuys exhibit in the Landsmuseum’ Darmstadt.. |
1988-1989 | ||
| Forces: solo piano | |||
| Duration: 8 | Work No.: 136 | Publisher: OUP | |
| ‘For James Clapperton.’ fp: 15.4.89 Buffalo, NY, USA. James Clapperton. Collected shorter piano pieces, vol. 1 | |||
| Listen: MP3 Real Audio | |||
| Wee Saw Footprints plus appendix of four teaching pieces and juvenilia |
1986-1990 | ||
| Forces: solo piano | |||
| Duration: 15 | Work No.: 137 | Publisher: OUP | |
| fp: 21.5.91 BMIC, London. Composer. | |||
| Obrecht Motetten 5 pieces, may be performed separately |
1988-1992 | ||
| Forces: fl.cl.bn-tpt.tbn-perc-vn.va.vc | |||
| Duration: | Work No.: 138 | Publisher: OUP | |
| ‘To Richard Toop.’ | |||
| View Score | |||
| Eph-phatha Title: (Greek) - ‘Be Opened’ (St Mark). |
1988-1989 | ||
| Forces: 2111/1110/perc/hrp/pf strings (3.3.3.3.1) | |||
| Duration: 13 | Work No.: 139 | Publisher: OUP | |
| Commissioned by the New English Orchestra. fp: 2.5.89 Northampton. New English Orchestra, dir. Nigel Swinford. | |||
| View Score | |||
| Nowhere else to go |
1989 | ||
| Forces: cl, tpt, perc, synth, cello, tape [or synthesizer], electronics | |||
| Duration: 15 | Work No.: 140 | Publisher: OUP | |
| Independent parts, no score Commissioned by Metanoia. fp: 29.3.89 St John’s Smith Square. Metanoia. | |||
| Pimmel |
1988-1989 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 141 | Publisher: OUP | |
| ‘For Chris Newman.’ fp: 4.11.89 Gonville & Caius College, Cambridge. Nicolas Hodges. Title: (German child’s slang) - ‘Penis’ Collected shorter piano pieces, vol. 1 | |||
| Stanley Stokes, East Street 1836 Title: after persecuted Brighton homosexual. |
1989-1994 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 142 | Publisher: OUP | |
| fp (first version): 15.7.89 BMIC, London. Composer. fp (final version): 4.10.96 Conway Hall, London. Ian Pace. Based on Dies Irae from Berlioz’s ‘Grande Messe des Morts’ Collected shorter piano pieces, vol. 2 | |||
| Listen: MP3 Real Audio | |||
| Ének Title: (Hungarian) - ‘Voice’ |
1990 | ||
| Forces: solo violin | |||
| Duration: 9 | Work No.: 143 | Publisher: OUP | |
| Commissioned by The Carl Flesch Violin Competition. fp: 6.90, London. Maxim Vengerov. Test piece for first round of 1990 competition. | |||
| More Gershwin 8 arrangements: may be performed separately |
1989-1990 | ||
| Forces: solo piano | |||
| Duration: 34 | Work No.: 144 | Publisher: OUP | |
| earlier versions and supplementary material also available, not OUP. ‘For Joanna MacGregor.’ fp: 10 May 1990, BMIC, London. Composer. Based on songs by George Gershwin. | |||
| Listen: MP3 Real Audio | |||
| Unknown Ground Song cycle |
1989-1990 | ||
| Forces: baritone, piano, violin, cello | |||
| Duration: 25 | Work No.: 145 | Publisher: OUP | |
| fp: 15.5.90 Marlborough Pub Theatre, Brighton. Richard Jackson (bar), Roger Redgate (vn), Julia Ryder (vc), composer (pf). Text: anon: Nick W.; Steve R.; Philip X.; Brent T.; Nicolai Kluyev; Mikhail Kuzmin; Sergei Esenin (in English). | |||
| Sometimes I... Title: from Negro Spiritual ‘Sometimes I feel like a motherless child’ |
1990 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 146 | Publisher: OUP | |
| ‘For Geoffrey Hannan.’ fp: 10.5.90 Winchester. Geoffrey Hannan. Written for Children in Need charity concert. Collected shorter piano pieces, vol. 2 | |||
| Can’t Help Lovin’ Dat Man |
1990 | ||
| Forces: solo piano | |||
| Duration: 12 | Work No.: 147 | Publisher: OUP | |
| ‘To Joanna MacGregor.’ fp: 1990 BBC early evening concert. Joanna MacGregor. Arrangement of song from ‘Showboat’ by Jerome Kern. | |||
| View Score | |||
| Two of Us |
1990 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 148 | Publisher: Composer | |
| ‘For Aki Takahashi.’ fp: 1990 Buffalo, USA. Aki Takahashi. Arrangement of song by Lennon & McCartney. | |||
| View Score | |||
| Same as we 2 versions |
|||
| Forces: | |||
| Duration: 10 | Work No.: 149 | Publisher: OUP | |
| 2 versions (149.1 & 149.2) | |||
| Maldon |
1990 | ||
| Forces: baritone, SATB chorus, 2 trombones, 2 percussion, organ | |||
| Duration: 20 | Work No.: 150 | Publisher: OUP | |
| fp: 15.6.91 Maldon Millennium festivities. Text: composer, from ‘The Battle of Maldon’ (anon/Anglo-Saxon). | |||
| View Score | |||
| Kulamen Dilan Title: (Kurdish) - ‘Love Songs’ |
1990 | ||
| Forces: soprano saxophone [or oboe], percussion | |||
| Duration: 10 | Work No.: 151 | Publisher: OUP | |
| ‘For Steve [Cottrell] and Liz [Davis].’ fp: 21.7.90 Darmstadt, Germany. Steve Cottrell (ssax), Steven Schick (perc). | |||
| View Score Listen: MP3 Real Audio | |||
| In Stiller Nacht |
1990-1997 | ||
| Forces: piano trio: piano, violin, cello | |||
| Duration: 9 | Work No.: 152 | Publisher: OUP | |
| ‘To Amelia and Barry Mills.’ fp: 17.9.90 QEH, London. The Bekova Sisters. fp (final version): 18.11.97 Royal Academy of Music, London. Manson Ensemble. Based on Brahms’ folk-song arrangement of the same name. Revised version has in | |||
| My Love Is Like a Red Red Rose Title: afer Burns poem of same name. |
1990 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 153 | Publisher: OUP | |
| ‘To Philip [Adams].’ Collected shorter piano pieces, vol. 2 | |||
| Listen: MP3 Real Audio | |||
| De toutes flours |
1990 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 154 | Publisher: OUP | |
| ‘For Philip [Adams].’ Based on Machaut work of same name. Collected shorter piano pieces, vol. 2 | |||
| How dear to me |
1991 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 155 | Publisher: OUP | |
| ‘For P[hilip Adams].’ From ‘The Irish Song Book’ Air No. 37 (1895). Collected shorter piano pieces, vol. 2 | |||
| Listen: MP3 Real Audio | |||
| William Billings |
1990-1991 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 156 | Publisher: OUP | |
| ‘For James Clapperton’s 22nd Birthday.’ fp: 27.1.91 Maastricht, Netherlands. James Clapperton Collected shorter piano pieces, vol. 2. | |||
| Vanèn |
1991 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 157 | Publisher: OUP | |
| ‘For Frits and Nanny Vanèn.’ fp: 3.2.91 Hilversum, Netherlands. Composer. | |||
| Rossini |
1991 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 158 | Publisher: OUP | |
| ‘To Father Gordon O’Loughlin.’ fp: 18.2.93 BMIC, London. Ian Pace. Based on Idreno’s Aria ‘E se ancor libero’ - Semiramide Act I. Collected shorter piano pieces, vol. 2 | |||
| WAM |
1990-1991 | ||
| Forces: piano and two obbligato instruments: treble & bass [flute, bass clarinet, piano] | |||
| Duration: 15 | Work No.: 159 | Publisher: OUP | |
| 3 separate parts, no score. Commissioned by Het Trio. fp: 29.2.92 Brighton. Ixion (pf, vn, vc). Title: W[olfgang] A[madeus] M[ozart]. | |||
| Listen: MP3 Real Audio | |||
| The Cambridge Codex |
1991 | ||
| Forces: soprano, fl(picc), perc(2 bells), violin, cello | |||
| Duration: 18 | Work No.: 160 | Publisher: OUP | |
| Commissioned by the Cambridge New Music Players. fp: 13.11.91 University Concert Hall, Cambridge. Cambridge New Music Players. Text: Medieval anonymous sacred poems (in Latin and English). | |||
| Seven Sacred Motets |
1991 | ||
| Forces: SATB chorus (or 4 solo voices) | |||
| Duration: 35 | Work No.: 161 | Publisher: OUP | |
| fp: 24.9.91 Warsaw Autumn Festival, Poland. BBC Singers (No. 2 only). Cycle telling the life of the Virgin. Complete cycle unperformed (1996). | |||
| Listen: MP3 Real Audio | |||
| Three Motets, Two Interludes |
1991-2006 | ||
| Forces: soprano, violin, viola, cello | |||
| Duration: 16 | Work No.: 162 | Publisher: OUP | |
| Interludes for string trio alone, (c. 4’) unfinished | |||
| View Score | |||
| Anima Christi |
1991 | ||
| Forces: counter-tenor or contralto, tenor, SATB chorus, organ | |||
| Duration: 20 | Work No.: 163 | Publisher: OUP | |
| ‘For Philip [Adams].’ fp: 17.4.92 Brighton. Sussex Philharmonic Chorus, dir. Jonathan Cross. Text: Medieval sacred poem (in Latin). | |||
| Two Motets may be performed separately |
1991 | ||
| Forces: counter-tenor, guitar | |||
| Duration: 8 | Work No.: 164 | Publisher: OUP | |
| fp: 8.1.92 Purcell Room, London. Jonathan Peter Kenny (ctn), Steve Gibb (gui). | |||
| "Western Wind" Kyrie |
1991 | ||
| Forces: SATB chorus or soli | |||
| Duration: 3 | Work No.: 165 | Publisher: | |
| There never were such hard times before |
1991 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 166 | Publisher: OUP | |
| ‘In memory of Cornelius Cardew.’ fp: 13.12.91 Purcell Room, London. Composer. Based on English folk-song of same name. Collected shorter piano pieces, vol. 2 | |||
| French Piano Title: After Chris Newman drawing of same name. |
1991 | ||
| Forces: solo piano | |||
| Duration: 6 | Work No.: 167 | Publisher: OUP | |
| ‘For Lesley Young.’ fp: 1995, BMIC, London. Michael Blake. Collected shorter piano pieces, vol. 2 | |||
| Willow Willow |
1991 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 168 | Publisher: OUP | |
| ‘For Philip [Adams].’ Based on English folk-song of same name. | |||
| Listen: MP3 Real Audio | |||
| Nine Romantics |
1992 | ||
| Forces: solo piano | |||
| Duration: 25 | Work No.: 169 | Publisher: OUP | |
| ‘For Rolf Hind.’ fp: 1.5.92 Aarhus, Denmark. Rolf Hind. Bears no relation to withdrawn work with same title. | |||
| New Perspectives on Old Complexity |
1990-1992 | ||
| Forces: solo piano | |||
| Duration: 5 | Work No.: 170 | Publisher: OUP | |
| ‘For Perspectives of New Music.’ fp: 21.4.94 BMIC, London. Ian Pace. Based on Sanctus super ‘Da gaudiorum premia’ - John Dunstable; Contrapunctus I (Die Kunst der Fuge) - J. S. Bach; Je tremble en voyant ton visage (Le Promen | |||
| Cibavit eos |
1991-1992 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 171 | Publisher: OUP | |
| ‘For The Musical Times Mozart Issue.’ fp: 3.12.91 Sussex University, Brighton. Composer. Based on Mozart’s antiphon of same name, K. 44 (73u). Published in The Musical Times, 1992. Collected shorter piano pieces, vol. 2 | |||
| Poor Stuff |
1991-1996 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 172 | Publisher: OUP | |
| in preparation | |||
| View Score | |||
| Wenn wir in höchsten Nöten sein |
1992 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 173 | Publisher: OUP | |
| fp: 1.10.92 BMIC, London. Nicolas Hodges. Based on the Chorale-Prelude by J S Bach BWV. 668. Collected shorter piano pieces, vol. 2 | |||
| The Cry of the Prophet Zephaniah |
1992 | ||
| Forces: solo baritone, TB men’s choir, 2 tpt, 2 trb, 2 vc. | |||
| Duration: 7 | Work No.: 174 | Publisher: OUP | |
| Commissioned by BBC TV for series ‘The Cry’ fp: 6.12.92 BBC TV. Producer: Chris Mann. Text: Book of Zephaniah. | |||
| Various Nations |
1992 | ||
| Forces: speaker, fl, cl, hn, perc, gtr, vn, vc | |||
| Duration: 12 | Work No.: 175 | Publisher: OUP | |
| Commissioned by Almeida Opera. fp: 9.7.92 Almeida Theatre, London. Eleanor Bron (spkr), Music Projects/London, dir. R. Bernas. Text: from 19th century children’s book ‘A Peep at Various Nations of the World’ | |||
| View Score | |||
| A solis ortus cardine |
1992 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 176 | Publisher: OUP | |
| ‘In memory of Olivier Messiaen.’ fp: 1992 Bratislava. Composer. | |||
| Thérése Raquin stage-work for 4 voices and piano |
1992-2005 | ||
| Forces: 2 counter-tenors and 2 baritones, pf | |||
| Duration: 120 | Work No.: 177 | Publisher: OUP | |
| Commissioned by The Garden Venture & Eastern Arts. fp: 1.10.93 Bury St Edmunds. Royal Opera House Garden Venture. Heather Lorimer, Linda Hirst, Andrew Watts, Richard Jackson, Christopher Willis. Text: composer, after the novel and play by Emile | |||
| Blessed be 3 Versions |
1992-1996 | ||
| Forces: | |||
| Duration: 5 | Work No.: 178 | Publisher: OUP | |
| John Cage |
1992 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 179 | Publisher: OUP | |
| ‘In Memory of John Cage.’ fp: 1992 Dartington Summer School. Composer. Based on fragment of music by Grieg and Satie. Collected shorter piano pieces, vol. 2 | |||
| Cozy Fanny’s Tootsies |
1992 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 180 | Publisher: OUP | |
| ‘Christmas Greeting to Friends.’ fp: 10.5.96 Conway Hall, London. Ian Pace. Based on Mozart’s opera ‘Cosi Fan Tutti’ | |||
| Mars + Venus |
1993 | ||
| Forces: fl,ob,cl,bn/hn,tpt,tbn/perc(vib)/pf/2vn,va,vc,db | |||
| Duration: 14 | Work No.: 181 | Publisher: OUP | |
| Commissioned by Antwerpen 93. fp: 25.5.93 Antwerp. Champ d’Action, dir. Composer. Title: from Rubens painting of same name. | |||
| Listen: MP3 Real Audio | |||
| What the meadow-flowers tell me |
1993 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 182 | Publisher: OUP | |
| ‘A Valentine for Philip [Adams].’ fp: 23.8.93 Seoul, Korea. Composer. Based on material from Mahler, Symphony No. 3. | |||
| Plain Harmony 2 Versions |
1993 | ||
| Forces: | |||
| Duration: | Work No.: 183 | Publisher: OUP | |
| Folklore in four sections, may be performed separately |
1993-1994 | ||
| Forces: solo piano | |||
| Duration: 72 | Work No.: 184 | Publisher: OUP | |
| fp: 1.12.94 BMIC, London. Composer. | |||
| Vertue |
1993 | ||
| Forces: unison chorus (S), piano [suitable for performance by a children’s choir] | |||
| Duration: 9 | Work No.: 185 | Publisher: OUP | |
| Commissioned by Finchley Children’s Music Group. fp: 28.3.93 Lockers Park School, Hemel Hempstead. Finchley Children’s Music Group, dir. Murray Stewart. Text: George Herbert. | |||
| The larger heart, the kindlier hand Title: from Tennyson poem. |
1993 | ||
| Forces: solo piano | |||
| Duration: 1 | Work No.: 186 | Publisher: OUP | |
| ‘In celebration of Justin Connolly's 60th Birthday.’ fp: 14.4.93 BMIC, London. Composer. | |||
| Silver Morning |
1993 | ||
| Forces: tenor or baritone, piano, string quartet (2 vn, va, vc) | |||
| Duration: 16 | Work No.: 187 | Publisher: OUP | |
| Commissioned by South West Arts. fp: 15.7.95 Cheltenham Festival. Text: A E Housman. | |||
| ...desde que naçe |
1993 | ||
| Forces: solo piano | |||
| Duration: 1 | Work No.: 188 | Publisher: OUP | |
| ‘For the ISCM World Music Days in Mexico City.’ fp: 22.11.93, Mexico City, Mexico. Composer. Based on the Villancico ‘Los que fueren de buen gusto’ by Francisco de Vidales (c. 1630-1702). Published in OUP volume CSPP2. Collec | |||
| Yvaroperas 5 pieces |
1993-1995 | ||
| Forces: solo piano | |||
| Duration: 9 | Work No.: 189 | Publisher: OUP | |
| ‘In memory of Yvar Mikhashoff.’ fp: 10.6.94 (1-4 only) Almeida Theatre, London. Composer. fp (complete): 4.10.96 Conway Hall, London. Ian Pace. | |||
| Quelle |
1994 | ||
| Forces: saxophones: 2 soprano, 2 contrabass | |||
| Duration: 3 | Work No.: 190 | Publisher: OUP | |
| ‘For Thomas K. J. Mejer.’ fp: Recorded but no concert performance (1996). | |||
| Elephant |
1994 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 191 | Publisher: OUP | |
| ‘For Luk.’ fp: 4.10.96 Conway Hall, London. Ian Pace. | |||
| View Score | |||
| Traum des Sängers |
1994 | ||
| Forces: cl, gtr, perc (vib), vn, va, vc, db | |||
| Duration: 15 | Work No.: 192 | Publisher: OUP | |
| ‘For Andrew Toovey.’ Commissioned by The South Bank Arts. fp: 24.10.94 Purcell Room, London. Ixion. Title: From Caspar David Friedrich glass-painting of same name. | |||
| Listen: MP3 Real Audio | |||
| Shameful Vice |
1995 | ||
| Forces: 2 soprano, mezzo-soprano, tenor, baritone, bass, 2 cl, 2 tpt, gtr, hp, 2 vn, db | |||
| Duration: 45 | Work No.: 193 | Publisher: OUP | |
| Commissioned by Vocem Electric Voice Theatre and Endymion. fp: 28.3.95 Blackheath Concert Halls, London. Vocem; Endymion Ensemble. Text: Composer, after letters and diaries of Tchaikovsky. | |||
| Glad Day Title: from William Blake painting of same name (sometimes called ‘The Rise of Albion’). |
1994 | ||
| Forces: 2 recorders, 2 trumpets, chamber-organ, theorbo or harp, strings. | |||
| Duration: 13 | Work No.: 194 | Publisher: OUP | |
| Commissioned by the BBC. fp: 15.1.95 Town Hall, Birmingham. King’s Consort, dir. Robert King. | |||
| View Score | |||
| Sefauchi’s Return |
1994 | ||
| Forces: flute, oboe, clarinet, piano | |||
| Duration: 2 | Work No.: 195 | Publisher: OUP | |
| ‘For Sounds Positive and The Purcell Tercentenary.’ fp: 8.2.95 St John’s Smith Square, London. Sounds Positive. | |||
| Ethel Smyth |
1995 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 196 | Publisher: OUP | |
| fp: 26.10.95 Durham University. Composer. | |||
| View Score | |||
| Liturgy of Saint Paul |
1991-1995 | ||
| Forces: counter tenor, 2 tenors, baritone, chamber organ | |||
| Duration: 37 | Work No.: 197 | Publisher: OUP | |
| fp: 1.8.96 (incomplete) Cambridge. Hilliard Ensemble. Text: Latin mass. Eusebius, The Acts of the Apostles (in Greek). Includes Missa in Commemoratione Sancti Pauli and Missa in Festo Conversionis Sancti Pauli. | |||
| Violet, Slingsby, Guy and Lionel |
1995-1996 | ||
| Forces: 2 euphoniums, 2 tubas | |||
| Duration: 7 | Work No.: 198 | Publisher: OUP | |
| Arrangement of sections 14, 15 and 17 from piano piece of same name. fp: 11.1.96 Purcell Room, London. Tubulaté. | |||
| Violet, Slingsby, Guy and Lionel 22 short pieces for beginners and their teachers. Title: from story by Edward Lear. |
1994-1996 | ||
| Forces: solo piano | |||
| Duration: 18 | Work No.: 198 | Publisher: OUP | |
| fp: 4.10.96 Conway Hall, London. Ian Pace. | |||
| Tracey and Snowy in Köln |
1996 | ||
| Forces: solo piano | |||
| Duration: 2 | Work No.: 199 | Publisher: OUP | |
| ‘In memory of Tracey Chadwell’ fp: 14.3.96 Chapel Royal, Brighton. Composer. | |||
| View Score | |||
| Honky Blues |
1996 | ||
| Forces: solo piano | |||
| Duration: 4 | Work No.: 200 | Publisher: OUP | |
| ‘For Marcel Worms.’ fp: 11.1.97 Bimhuis, Amsterdam. Marcel Worms. | |||
| Georghi Tutev |
1996-2002 | ||
| Forces: solo piano | |||
| Duration: 6 | Work No.: 201 | Publisher: OUP | |
| ‘To Mara Chapanova, in memory of Georghi Tutev.’ fp: 17.6.96 Musica Nova, Sofia, Bulgaria. Composer. | |||
| Golden Sleep |
1996 | ||
| Forces: solo tenor, baritone, SATB choir | |||
| Duration: 12 | Work No.: 202 | Publisher: OUP | |
| ‘For Zöe, Gary and the Vasari Singers.’ Commissioned by Steyning Music Society Text: Homer’s Iliad XXIII, 93-101 in translation by Alexander Pope. Unperformed but broadcast by the BBC Singers (1997). | |||
| Different Things Title: after David Hockney’s ‘Three Different Things’ |
1996 | ||
| Forces: clarinet quartet | |||
| Duration: 6 | Work No.: 203 | Publisher: OUP | |
| Independent parts, no score. ‘For No Strings Attached.’ fp: 28.7.96 Leasowes Bank, Shropshire. No Strings Attached. Based on songs of Schumann and Gounod. | |||
| View Score | |||
| Speak its Name! Title: ‘The love which dare not speak its name’ (Lord Alfred Douglas). |
1996 | ||
| Forces: 2222/2210/2vib,timp/hp/quartertone keyboard/strings (min. 8.8.6.6.3) | |||
| Duration: 22 | Work No.: 204 | Publisher: OUP | |
| Commissioned by the Brunel Ensemble fp: 26.10.96 Victoria Rooms, Bristol. Brunel Ensemble, dir. Christopher Austin. | |||
| View Score | |||
| his voice/was then/here waiting |
1996 | ||
| Forces: two pianos | |||
| Duration: 8 | Work No.: 205 | Publisher: OUP | |
| Independent parts, no score. fp: 14.11.96 Durham University. Ian Pace, composer (pfs). | |||
| 23 Tangos |
1968-1998 | ||
| Forces: solo piano | |||
| Duration: 45 | Work No.: 206 | Publisher: OUP | |
| can be performed separately | |||
| Listen: MP3 Real Audio | |||
| Selected Movements of Great Masters Spohr tugs at his forelock; Schubert brushes his teeth; C.P.E. Bach scratches his bottom; Beethoven |
1996 | ||
| Forces: saxophone quartet: 2 altos, 2 tenors. | |||
| Duration: 11 | Work No.: 207 | Publisher: OUP | |
| fp: 30.11.96 Huddersfield Festival. Delta Saxophone Quartet. | |||
| Tu me dirais |
1996 | ||
| Forces: solo piano | |||
| Duration: 3 | Work No.: 208 | Publisher: OUP | |
| ‘In memory of Elizabeth Abercrombie.’ fp: 5.12.96 Conway Hall, London. Ian Pace. Based on Cécile Chaminade song of same name. | |||
| meeting is pleasure, parting a grief |
1996 | ||
| Forces: piano solo | |||
| Duration: 1 | Work No.: 209 | Publisher: | |
| The History of Photography in Sound |
1995-2001 | ||
| Forces: piano solo | |||
| Duration: 330 | Work No.: 210 | Publisher: OUP | |
| Sehnsucht |
1997 | ||
| Forces: String Quartet (2vn, va, vc) | |||
| Duration: 4 | Work No.: 211 | Publisher: Composer | |
| L’Union Libre |
1997 | ||
| Forces: alto horn (or alto sax.), 2 pianos, 3 ocarinas, vla, accordion, 2 de-tuned zithers, 4 large | |||
| Duration: 11 | Work No.: 212 | Publisher: Composer | |
| Recent Britain |
1997-1998 | ||
| Forces: clar,(bsn),pno,(vcl) with pre-recorded sound | |||
| Duration: 25 | Work No.: 213 | Publisher: OUP | |
| Multiple forms of constraint |
1997 | ||
| Forces: solo vln. and string trio (vln,vla,vcl) | |||
| Duration: 14 | Work No.: 214 | Publisher: | |
| False notions of progress |
1997 | ||
| Forces: Any three instruments | |||
| Duration: | Work No.: 215 | Publisher: | |
| Not Afraid |
1998 | ||
| Forces: baritone and speaking pianist | |||
| Duration: 12 | Work No.: 216 | Publisher: | |
| I’m on my Way |
1998 | ||
| Forces: clar,bsn,horn,trpt,trbn,perc,pno,vln,vla,vcl,cb | |||
| Duration: 6 | Work No.: 217 | Publisher: Warner/Chappell | |
| Domestic and Salon Pastimes |
1998 | ||
| Forces: | |||
| Duration: | Work No.: 218 | Publisher: | |
| Un chant d’amour par JEAN GENET |
1999-2000 | ||
| Forces: vln, vcl, pno | |||
| Duration: 26 | Work No.: 219 | Publisher: OUP | |
| Palm Sunday |
1999-2003 | ||
| Forces: SATB chorus, guitar, vibr., pno, cb. | |||
| Duration: 10 | Work No.: 220 | Publisher: OUP | |
| Marcel Duchamp, the Picabias and Apollinaire attend a performance of
‘Impressions d’Afr |
1999-2000 | ||
| Forces: speaking pianist and ensemble (fl,trbn,perc,2nd pno.,vcl or similar) | |||
| Duration: 12 | Work No.: 221 | Publisher: | |
| Uncharacteristic Marches |
1999-2009 | ||
| Forces: various | |||
| Duration: 10 | Work No.: 222 | Publisher: Warner/Chappell (partly) | |
| Bright Future ignoring Dark Past |
1999-2000 | ||
| Forces: vln,vcl,pno | |||
| Duration: 4 | Work No.: 223 | Publisher: | |
| Necessary and more detailed thinking |
2000 | ||
| Forces: vln,vcl,pno | |||
| Duration: 3 | Work No.: 224 | Publisher: | |
| Confusion in the service of discovery |
2000 | ||
| Forces: mandolin + 2 pre-recorded mandolins | |||
| Duration: 8 | Work No.: 225 | Publisher: | |
| Judgement in that day |
2000 | ||
| Forces: ob,clar,vln,vla,vcl,pno | |||
| Duration: 8 | Work No.: 226 | Publisher: | |
| Casual Nudity |
2000-2001 | ||
| Forces: bass-fl,guit.,cb,pno,perc | |||
| Duration: 12 | Work No.: 227 | Publisher: | |
| Kreuzfidel Polka Op.301 by Johann Strauss II |
2000 | ||
| Forces: vln,vcl,cb,pno,perc | |||
| Duration: 4 | Work No.: 228 | Publisher: | |
| Shady Love |
2001 | ||
| Forces: horn,vln,vcl,pno,perc | |||
| Duration: 4 | Work No.: 229 | Publisher: | |
| Regen beschreiben |
2001 | ||
| Forces: alto-fl,clar,vln,vcl,pno | |||
| Duration: 2 | Work No.: 230 | Publisher: | |
| Enough |
2001 | ||
| Forces: piano solo | |||
| Duration: 17 | Work No.: 231 | Publisher: Tre media | |
| Deux Airs de Geneviève de Brabant(Erik Satie) |
2001 | ||
| Forces: piano solo | |||
| Duration: | Work No.: 232 | Publisher: | |
| Smallish Foxtrot |
2001 | ||
| Forces: fl,vln,vla,cb,pno,perc | |||
| Duration: 1 | Work No.: 233 | Publisher: | |
| Open Window |
2001 | ||
| Forces: trumpet, doublebass and piano | |||
| Duration: 9 | Work No.: 234 | Publisher: | |
| Ettelijke bange eenden |
2001 | ||
| Forces: unspecified ensemble | |||
| Duration: 11 | Work No.: 235 | Publisher: | |
| ’k zal u |
2001 | ||
| Forces: vln,vcl,pno | |||
| Duration: 4 | Work No.: 236 | Publisher: | |
| Hoe weinig begrijpen wij |
2001 | ||
| Forces: unspecified ensemble | |||
| Duration: 1 | Work No.: 237 | Publisher: | |
| D’Woaldbuama – Einleitung und Pastorale im Ländlerstyl nach Johann Strauss |
2001 | ||
| Forces: clar,vln,vcl,cb,pno,perc | |||
| Duration: 7 | Work No.: 238 | Publisher: | |
| Kritik der Urteilskraft |
2001 | ||
| Forces: fl,clar,vln,vcl,pno | |||
| Duration: 29 | Work No.: 239 | Publisher: OUP | |
| This Church |
2001 | ||
| Forces: | |||
| Duration: | Work No.: 240 | Publisher: | |
| Á propos de Nice |
2001-2002 | ||
| Forces: vln, vcl, pno | |||
| Duration: 24 | Work No.: 241 | Publisher: | |
| Onbevooroordeeld Leven |
2000-2002 | ||
| Forces: small orchestra or ensemble | |||
| Duration: 23 | Work No.: 242 | Publisher: OUP | |
| Notre Dame Polyphony |
2001-2002 | ||
| Forces: unspecified ensemble (6 or 9 players) | |||
| Duration: 8 | Work No.: 243 | Publisher: | |
| Amphithéâtre des Sciences Mortes |
2001-2002 | ||
| Forces: soloist and unspecified ensemble | |||
| Duration: 7 | Work No.: 244 | Publisher: | |
| Alternative Readings |
2002 | ||
| Forces: fl, vcl, pno | |||
| Duration: 8 | Work No.: 245 | Publisher: | |
| Edward |
2002 | ||
| Forces: piano solo | |||
| Duration: 2 | Work No.: 246 | Publisher: OUP | |